Joe explores his complex relationship with jack o' lanterns, and takes his viewers on a fall drive in the Upper Peninsula.Joe explores his complex relationship with jack o' lanterns, and takes his viewers on a fall drive in the Upper Peninsula.Joe explores his complex relationship with jack o' lanterns, and takes his viewers on a fall drive in the Upper Peninsula.
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10htkcrkgg
I was guided here by the Wikipedia page on the New Sincerity movement. I love the project of New Sincerity, and believe its power lies not just in creators' ambitions to create something meaningful, but in viewers' willingness to view things through the lens of meaningfulness.
So, after learning about this show, I started watching in the hopes that I would be rewarded with another example of New Sincerity. Until this episode, I thought that the show was pleasant and mildly entertaining and each episode was enough to get me to watch the next. Then I watched this episode and now I am sold on the show and its contributions to New Sincerity thinking. The episode was everything that DFW wished for television to be. It was clever and self-aware in places, and also it was unflinchingly earnest and pure.
The train of thought and setting leading up to the waterfall scene makes it so that, when you watch follow the pumpkin along and see Pera's reaction to it, you undergo the same transformation of soul that his character does, and you come to an understanding of the true beauty and solemnity of life and death, and the absolute grandeur of life, if we have the eyes to see it, like how Pera views his Buick.
I think the New Sincerity will save the world, and it is well on its way to do just that. Episodes like this one remind me of that.
So, after learning about this show, I started watching in the hopes that I would be rewarded with another example of New Sincerity. Until this episode, I thought that the show was pleasant and mildly entertaining and each episode was enough to get me to watch the next. Then I watched this episode and now I am sold on the show and its contributions to New Sincerity thinking. The episode was everything that DFW wished for television to be. It was clever and self-aware in places, and also it was unflinchingly earnest and pure.
The train of thought and setting leading up to the waterfall scene makes it so that, when you watch follow the pumpkin along and see Pera's reaction to it, you undergo the same transformation of soul that his character does, and you come to an understanding of the true beauty and solemnity of life and death, and the absolute grandeur of life, if we have the eyes to see it, like how Pera views his Buick.
I think the New Sincerity will save the world, and it is well on its way to do just that. Episodes like this one remind me of that.
I watch this episode every once in a while. It's amazing how it's always profound. While writing this show, Joe lost his grandmother, and this episode, particularly the waterfall scene, was a gesture to her. He mentions something like that in an interview. I found the show right after I lost my last grandfather. Admittedly, we weren't close and he lived 2,000 miles away, but it still hit me. It made me want to appreciate my only remaining grandparent: my grandmother on the other side of the family. She did live within driving distance.... yet... due to my own issues with mental health, I rarely went to see her. She died within a few months. Luckily, I saw her a few times in her final weeks, when her health was really failing. I was the last grandchild to see her alive. I remember when I left I said, "I love you, grandma." She smiled and said, "I love you." She died a few days later. I have no idea why I'm putting this on here. Anyway.... Yeah, it's a good show.
Did you know
- TriviaGiven that Joe needs to visit 4.6 waterfalls per year until he turns 85, it suggests that this episode was recorded when he was approximately 28 years old.
- ConnectionsReferences The Matrix (1999)
Details
- Runtime
- 11m
- Color
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