Al Nadam

This series talks about two story line (before the war with colorful picture) and (during the war with black and white picture). The director Allaith Hajo did epic job in this series with Salloum Haddad and Mahmoud nasr and couple of Syrian actors. it's must watch

Solid acting, great story fantastic music intro, immotional and over all just perfect.

How can you give us a real war story without blood? The show represent the politic and civil life in SYRIA with a high level of directing. a lot of emotions in the romance story between Orwa and Hanaa with too much realistic, the love of money and how affect the life. Simply it is a masterpiece

Al-Nadam is more than just a television series to me; it's a precious memory from a time when Syrian drama was struggling to maintain its soul amidst the turmoil of the revolution. While many shows during that period fell into cliché or propaganda, this series stood out with its deep emotional layers, powerful storytelling, and exceptional performances.

The character of "Urwa" resonated deeply with me-not just as a writer caught between past and present, but as a symbol of a lost generation torn between hope and regret. The show's ability to balance personal pain with a collective national narrative is rare and masterful.

Even years later, Al-Nadam remains one of the few series that truly captured the Syrian experience with honesty, artistry, and humanity. For me, it represents both the sorrow and beauty of remembering-of what was, and what could have been.

Al-Nadam' is truly a masterpiece. The storyline is compelling, full of twists and depth, and the characters are incredibly well-developed. Every scene is crafted with care, making you feel every emotion alongside the actors. The performances are outstanding, bringing authenticity and intensity to the drama. It's a series that stays with you long after the episodes end. I can confidently say it's one of the finest dramas I've ever watched, and absolutely worth recommending.

It's not only a series it's our life.