I Do Not Care If We Go Down in History as Barbarians

This movie is... wait, is it a movie? 😂 i highly recommend this whatever-it-is-being-called to those time killers who believe that history is documented & teached on History channel.

good job, guys! not.

An incredible movie about the difficulties of every nation to face its ghosts and to assume its history and eventually its identity.

Boring, vapid, annoying, I left after the first hour. Poor and tangled dialogues, useless nudity. There is a scene where an old black and white picture, with hanged people, it's shown for more then a minute !!! The same picture, one minute !! WTF ? Or another scene where you can see a closeup with a guy's penis for about a minute!! Why ?? Dont go to this movie !

This film is a great feat, with a universal message regarding the difficulty in facing our true national images in the mirror, including savage, murderous episodes. Exquisite acting and art, as well as nuanced irony neatly combined with grave philosophising and serious storytelling. I was glued to the screen for the entire 2 hours and 20 minutes.

Radu Jude's "Îmi este indiferent daca în istorie vom intra ca barbari" ("I Do Not Care If We Go Down in History as Barbarians" in English) does two things at once. The most important is that it looks at a shameful instance in Romania's history: the army's massacre of Jews in Bessarabia, even before the Nazis arrived (one of the Nazi officials even complained that the Romanian army was simply going ahead and killing Jews!).

But the other issue addressed is how Romania has treated this in years since. Romania, like the rest of Europe, wants to simply think that it was a victim of the Nazis; in reality - as in most of Europe's other countries - plenty of its citizens were delighted to help the Nazis.

The protagonist is a woman making a movie about the 1941 Odessa Massacre carried out by the Romanian army, with the title referring to a quote from Foreign Minister Mihai Antonescu. During the movie's production, a number of people start revealing their unwillingness to acknowledge the country's history. As someone notes, it's comforting to be the good guy.

It's not a masterpiece, but it still calls into question how much anyone is willing to recognize the bad parts of their own country's history. As John Quincy Adams once said, the historian must have no country (and the one character does even note the US's sordid history).