Waves

After my wife and I walked out of the movie theater, completely devastated (in the best possible ways) by what we had seen, there was a group of teenagers (the perfect audience for this film) buying tickets and I couldn't help but think about how lucky they were to be seeing Waves. It's the type of film that if one sees it in their youth, it could change how you view movies, art...life.

I will say nothing more about Waves except it is an absolute must-see, and if it finds its audience, it has the chance to be a generational touchstone film.

I'm not really sure what to think of this movie. I really wanted to love it. On the one hand, it has some great acting and cinematography in it. It looks great, and it is pretty well told from start to finish.

On the other hand, I would say that this movie is way too long and unfocused. It basically consists of two different movies. The first one is more or less like watching a car crash in slow motion. It is a pretty nerve-racking and hard watch, knowing that something bad will eventually happen to one of the characters. It is very well acted, but also extremely depressing and goes on for a bit too long.

Then something happens, and the second phase of the movie begins. The tone of the movie shifts entirely and it moves focus to another character. The pacing becomes even slower, to the point that nothing really happens at all. There are some side plots that doesn't lead anywhere. I guess the main character in this latter half of the movie goes through some emotional journey? Which probably makes sense in the context of the movie, but for me it was frankly a bit boring. Again, all the actors are great, but I'm not really connecting with the movie on a story level at all.

Another weird thing to point out, I felt like there were way to many songs being played in the movie. At some parts of the movie it feels like it basically becomes a playlist, shuffling cool tracks non-stop. Some scenes have characters singing along to the songs being played, digging or dancing, sometimes disrupting the story completely. Towards the end this becomes unbearably cheesy and weird. I'm not sure if the director, editors or other people who worked on the movie just wanted an excuse to play some trendy music?

To summarize, I think this movie was okay. It looks good, the acting is great and it has some powerful scenes in it, but other than that...

High school senior Tyler Williams is on top of the world. His family is supportive and well off. He has his friends and a beautiful girlfriend. He's a star wrestler at school. His father (Sterling K. Brown) pushes hard but he does it out of concern. A nagging injury turns out to be more. A series of self-inflicted problems and unforeseen difficulties come at him in waves.

I like this movie as soon as it starts. It begins with a great cinematic vision. Then it turns into a compelling character study of a family. I am a little conflicted about the divide in the movie. It would have been perfectly great to wrap up the movie soon after the midway point. I do see the value of the change over but it does split the movie in two. Also, it gets a little long at over two hours. It may be worthwhile to give the sister more screen time in the first half. Overall, it's a compelling study of this family.

I found the first part of the movie really captivating, intense, credible and very well acted. When the focus switches to the second teen in the families the whole plot becomes very mellow (still very well acted though but diminishing the overall impact).

31-year-old director Trey Edward Shults didn't decide to go modest with his third feature. Waves is a big, broad movie, about many relationships, many deep feelings, many social issues. It doesn't always succeed, but boy, it was worth the effort!

Shults focuses on an upscale African-American family in an affluent suburb in Florida. The son's a HS wrestling star, the daughter is quiet and sweet, the dad's successful but tough on his kids because he knows the cost of success particularly for a black family, and the mom, who's in medicine, is an empathic parent. But this seemingly idyllic set-up is shattered in the first minute by the jumping camera and raucous music. The tension is palpable. Something is going to happen throughout this film, but we don't quite know what. (Fear of the unknown was a hallmark of Shults's other notable film, It Comes at Night.)

So this movie is not for the faint-hearted, but it's got a lot to say. About fathers and sons, parents and children, young love, sharing (or not sharing) secrets, hate, anger, and forgiveness, and the effects that great pain - physical and psychic - have on the soul. Needless to say, with this ambitious an agenda, some things work better than others. Some silly plot errors bugged me, but maybe it just doesn't matter much. Another issue that's been raised: a white director working with a black-centric story; didn't bother me, but it's been talked about. Still, the film is never boring, never static, and never mails it in. Even if 75% of the plot and message works, that was good enough for me. It is NOT easy to watch, but it has a lot to say.

Fasten your seatbelts!