Last Call

I enjoyed the performances by the two actors. They both created believable characters. Unfortunately that was not enough to compensate for the pace of the film.

I got a little bored and lost interest after about an hour. Maybe if this was a short film, 15 minutes less than it's running time, It would have maintained my interest.

Perhaps I lost interest because the man is not a very sympathetic character, so I had a hard time really investing in the outcome. Yeah, I didn't really care what happened to him one way or another. The script didn't give me a reason to root for him to change. I suppose I don't have a lot of patience for a certain type of person with certain kids of behaviors.

There are many things to admire about this movie: it looks good, the actors are believable in their roles, its limited locations are interesting, and the premise is intriguing. That the movie was filmed in one take, simultaneously in two locations, following two actors, is certainly an impressive technical feat.

Split screen movies can work. This one, often, does not. At times, the viewer struggles to get a sense of each character's setting or movements, and does not quite because the screen is, literally, cut off.

The fact that the movie was filmed in a single take is impressive, but it leaves the audience watching a lot of moments that would have been better edited out. Realism is not achieved by watching characters putter about. For instance, near the beginning, we get to watch Scott walk home from a bar and Beth go out to her car to search for a cell phone charger -- in real time. Whole minutes roll by, taking up valuable time in this 75-minute movie, where the story could be underway.

The actors' performances have some good moments, but overall, there is an ocean of pathos, pushed by voices that border on simpering. We get it, Scott is in crisis, Beth is "thrown in the deep end", trying to help him with limited skills, and heavy emotions arise during their collision. But the watery, bordering-on-crying voices go on so long, they are so one-note, they begin to grate and actually hamper the impact of the scene.

The music is well done. Particularly at the beginning, doing a great job of setting the tone for what we are about to see. As the movie progresses, the music suffers from the same abundance of pathos that weighs down the performances -- a little of the emotional music would go a long way. Here, it's wall-to-wall.

In the end, the actors and music director are wedging themselves into the workable spaces left by the filmmaker's central gimmick: filming in real-time, split screen, no cuts. It would have been very interesting to see what this film might have looked like without the gimmick, which would have provided the space needed by the actors and music.

Amazing movie. It's so powerful and creative. I love the one shot split screen, as soon as my mind adjusted it felt like my eyes were "cutting"back and forth between scenes. Acting was top notch. Also, how did they match the shots so well? Feat of filmmaking.

I can't believe how well the director was able to sync the performances by the two lead characters. This certainly is a difficult task that should be celebrated! Great story and great performances by both main actors. Can't wait to see more from the director.

Last Call is a drama from Gavin Michael Booth presented in a split-screen format over real time across two long takes shot simultaneously. It's certainly a method of presentation I've never witnessed for an entire feature before and it's one I won't forget in a hurry. Last Call tells the story of Scott (Daved Wilkins), a bitterly alone man, who phones the suicide prevention hotline one night and ends up, through a misdial, speaking with Beth (Sarah Booth), a janitor of a local community college.

Last Call deals with such a sensitive subject matter such as suicide in an incredibly emotional and respectful manner, Gavin Michael Booth and Daved Wilkins writing a narrative that slowly reveals more to the audience and in doing so becomes more heart-breaking with each passing minute.

It's an ambitious film in its execution, Seth Wessel-Estes' cinematography a great asset to the film, keeping the audience with these two characters as they go through a phone call taht will change their lives. It took me a while to take to the split-screen approach but once I did I was captivated with the entire thing and how it would unfold. Adrian Ellis' score also adds another layer of emotion to proceedings.

At the forefront of Last Call lies to contrasting yet equally as impressive performances from Sarah Booth and Daved Wilkins. Booth in particular has the more demanding role and she showcases a fantastic range of emotions throughout, making her a character to reallt get behind. That doesn't mean Wilkins just sits back and lets Booth do all the work because there is much more to his performance than just sounding depressed, leading to Scott becoming a character you don't want to see any harm come to.

Sadly, many people take their own lives each year so raising awareness by any means necessary is important. Last Call is an incredibly relevant film for this reason and one that you should seek out.