Gateway

The lo/no budget film is a business card for the director, if you scour youtube, you can find the early work of Shane Meadows and it was clear to anyone watching those one location, no budget short films that this director should be given the means to expand his stories, so rich are the characters and narrative.

Gateway could just as easily be so considered, this is the tale of a crew of petty criminals looking to break into the big time but choosing the wrong house for their plan, the characters are well fleshed out and dialogue sounds authentic coming from the individual players in the story. If I could point out just one thing for any future work, and this is completely subjective, something I wondered about while watching, would be the blocking, I felt that such an intricate meshing of two storylines would have been much more dynamic if the characters moved about a bit more during dialogue scenes, but as I say, completely subjective, they may have been static to add to the sense of powerlessness that they gang were experiencing as they struggled to get a grip on the supernatural happenings in their hiding place.

The intensity was extremely well executed, there is a very effective, surreal sequence where the main protagonist is unable to move as he witnesses his own history playing out in front of him, it really hit the mark, anyone who has considered their own historic deeds or words will identify with the scene.

Overall the film was engaging, believable dialogue, I'd love to see what Niall Owens could do if freed from the restraints of a limited budget, I'd say, watch this space.

I'm a huge fan of the "How the f&*% did we get here" kind of films, and the synopsis really felt like it was going to be in that style.

Unfortunately, about 85% of the movie is just nothing. A bunch of hoodlums doing hoodlum stuff, milling about, doing nothing, etc...

I was so bored to absolute tears that I'm pretty sure my brain just turned off until the monotony of the banal hoodlum slice of life portion of the film was over that I barely knew what was even going on.

I will say the acting was passable, everyone did really well, but you can only do so much with writing that consists of "Do hoodlum things like walk around and do nothing for 85% of the film."

This type of the haunted house is gonna git ya story has been done so often, it's almost impossible to recall how many times I've seen it, here just given a miserable, suburban council house retread.

Assured cinematography & decent performances can't mitigate the terrible decision to make this a total misery-fest, with a cast of entirely unsympathetic characters & a sound track which would drive the most mentally sound to consider topping themselves.

The few horror elements that there were, missed the usual tricks to make the audience jump, this may have been the intention, to avoid overused tropes, but they were genuinely needed here, to help the viewer along. The gateway of the title, does indeed appear & does offer some intrigue, what, why, how etc, but it all comes to nought & we're left with no answers, thanks movie!

The fault here lies with the writer & director, single-mindedly making what they want, regardless of how this won't entertain the audience, you can make a dark, torturous ride, but you have to take the paying customer with you.

The industrial products of Western cinema do not distance enough from bad movies made in Los Angeles and copy their manias, even though they tell stories that are not only unusual, but better than all the horror clunkers produced in California. Apart from my usual complaint about the abusive use of sound effects and music, «Gateway» is a good first horror feature by Irishman Niall Owens, with a very strange and ingenious premise: a group of marijuana suppliers (who bear little resemblance to marijuana growers who consume it at the same time) is looking for a safe place where they can sow, care for and harvest the "holy weed".

However, each one has a tragedy behind that is a load too heavy for them to carry. They are typical characters of the marijuana subculture and (disorganized) crime, immersed in an unhappy intrigue that contains some elements that we already know from other horror movies: settling of scores inside a haunted house, where creditors of life, ghosts in search of vindication and pale entities that control the space manifest themselves and interact with the living with dire consequences.

Everything comes to a fair and consistent end, thanks to the images created by Owens and his cinematographer Ger Murphy, which are sinister enough to unsettle us, even though it all happens in a day in broad daylight: the house is sunny, and the exteriors are bright. However, the filmmakers were not confident enough to minimize the manipulative sound and omnipresent musical score. This said aside, it is a highly recommended film, especially for those who like the genre... with a twist.

Slow as molasses tale of a gang who decide to take over an abandoned house to grow weed in. In an upstairs bedroom is a gateway to...somewhere hellish. There's too much build-up that doesn't do anything to heighten the experience; we don't know them any better, the better to care about what happens to them. Then there's too much silent watching. The mood is dark and dreadful, but that's not enough. It feels more like a crime saga, but still, one I don't care too much about.