For Years to Come

"For Years to Come," from James Patrick Nelson, succeeds by being at once classic and new. The format and tone, is very traditional. While this could allow it to get lost amongst many other independent Pilots and Shorts, it is worked into an asset: the traditional nature of this piece allows it to surprise you with moments of new-found comedic structure worked into the structure of its dramatic emotional spine. Additionally, in just under half an hour, we get an honest depiction of the characters in vulnerable moments, enhanced -and not undercut- by comedy. (And Richard Riehle is a standout, of course).

. . . and leaves you demanding more when it ends!

I wasn't quite sure what kind of story I'd walked into and, at first, the awkwardness of the opening sequence gave me that uncomfortable "voyeur-vibe" that I was being privy to too much information--like being invited to a funeral of a complete stranger, just for fun.

And, within seconds, I'm caught up in the silence, the grief and the parts of relationships that don't have words. I was totally spellbound by the father/son conversations that are both familiar and unexpected.

In fact, it the "unexpected" in this short film that caught my attention and kept me engaged throughout--with great storytelling, inviting characters and solid performances!

I simply want more!!!! It was beautiful!!!! Thank you!!!!

So much to love in this endearingly vulnerable and surprisingly funny portrait of grief and reckoning. There's a raw and unguarded quality to both the writing and performances that draws the viewer in, and has you rooting for the emotional growth and personal connections of its characters, who's relationships and understanding of each other are far more complex than they first seem. The pilot's final twist gives ample runway for delving deep into some unexpected perspectives on the porn industry, queer experience and journey to making peace with aging parents. Based on the pilot, I expected all these themes will continue to be handled with candor, humor and grace, and overall, I'm really excited to see how the rest of this series unfolds!

James Patrick Nelson has created a grounded, intimate, moving, original, and brilliant half-hour of dramedy with FOR YEARS TO COME. As someone who very recently lost a parent (just over a month ago now, actually), I was deeply moved by this piece. But I also laughed out loud! The acting is superb, and the cinematography transported me to a magical version of LA--one that is wistful and evergreen. The writing/storytelling here is also extraordinary--compelling and emotional, but also witty and down-to-earth. Anyone who has lost a loved one (even a grandparent, for example) will relate to Johnny and what he is going through. And even if you are someone who is lucky enough to have never experienced grief or loss personally, you will find a relatable warmth and richness in this story, which will undoubtedly touch you and uplift you. 10 out of 10 stars!

I caught For Years to Come at a film festival in New York, and it was far and away the highlight of the entire event. The performances were delightful across the board. James Patrick Nelson and Richard Riehle deliver particularly inspired and joyful performances, despite the fact that this pilot presents the audience with themes of grief and secrecy. Very well-written and very well-made! This was clearly crafted with a lot of love and care. The heart of For Years to Come is immense and earnest, and it was a treat to watch. Also, it ends with a hilarious and unexpected revelation that I need to know more about. I'm dying to see where it goes from here!