For Years to Come

. . . and leaves you demanding more when it ends!

I wasn't quite sure what kind of story I'd walked into and, at first, the awkwardness of the opening sequence gave me that uncomfortable "voyeur-vibe" that I was being privy to too much information--like being invited to a funeral of a complete stranger, just for fun.

And, within seconds, I'm caught up in the silence, the grief and the parts of relationships that don't have words. I was totally spellbound by the father/son conversations that are both familiar and unexpected.

In fact, it the "unexpected" in this short film that caught my attention and kept me engaged throughout--with great storytelling, inviting characters and solid performances!

I simply want more!!!! It was beautiful!!!! Thank you!!!!

First virtue - Richard Riehle , in the role of father.

Second good point - the story itself, precise crafted, tender, gentle and soft.

Not less- the humor, nostalgia, realism and what real matters . And, sure, the wisdome of mother and her very special legacy.

Difficult to describe the story because it seems a personal letter . Not the lines, not the message in exact way but the feeling reading it - this real matters. Sure, easy to say I like or just I love it but , maybe, fair remains to define it as profound useful short film. Including for the secret of father, for hat and for the dialogue of son with a guy who knows him very precise as last gift from the lovely mother.

I caught For Years to Come at a film festival in New York, and it was far and away the highlight of the entire event. The performances were delightful across the board. James Patrick Nelson and Richard Riehle deliver particularly inspired and joyful performances, despite the fact that this pilot presents the audience with themes of grief and secrecy. Very well-written and very well-made! This was clearly crafted with a lot of love and care. The heart of For Years to Come is immense and earnest, and it was a treat to watch. Also, it ends with a hilarious and unexpected revelation that I need to know more about. I'm dying to see where it goes from here!

James Patrick Nelson has created a grounded, intimate, moving, original, and brilliant half-hour of dramedy with FOR YEARS TO COME. As someone who very recently lost a parent (just over a month ago now, actually), I was deeply moved by this piece. But I also laughed out loud! The acting is superb, and the cinematography transported me to a magical version of LA--one that is wistful and evergreen. The writing/storytelling here is also extraordinary--compelling and emotional, but also witty and down-to-earth. Anyone who has lost a loved one (even a grandparent, for example) will relate to Johnny and what he is going through. And even if you are someone who is lucky enough to have never experienced grief or loss personally, you will find a relatable warmth and richness in this story, which will undoubtedly touch you and uplift you. 10 out of 10 stars!

What a satisfying and honest look at grief, queerness, and the enigmatic nature of kinship. Painfully, hilariously true to life.

Compulsively watchable. I am definitely going to lose chunks of my life to binge-watching when the full season is released.

It is rare to see such complex subject matter brought to life so accurately, without veering into over-earnestness. The audience laughter and tears all felt earned. The cast shimmers with the kind of unforced chemistry that makes me want to spend hours with these characters.

This show is deliciously layered and nuanced and devastating and funny. Instant favorite.