For Years to Come

So much to love in this endearingly vulnerable and surprisingly funny portrait of grief and reckoning. There's a raw and unguarded quality to both the writing and performances that draws the viewer in, and has you rooting for the emotional growth and personal connections of its characters, who's relationships and understanding of each other are far more complex than they first seem. The pilot's final twist gives ample runway for delving deep into some unexpected perspectives on the porn industry, queer experience and journey to making peace with aging parents. Based on the pilot, I expected all these themes will continue to be handled with candor, humor and grace, and overall, I'm really excited to see how the rest of this series unfolds!

. . . and leaves you demanding more when it ends!

I wasn't quite sure what kind of story I'd walked into and, at first, the awkwardness of the opening sequence gave me that uncomfortable "voyeur-vibe" that I was being privy to too much information--like being invited to a funeral of a complete stranger, just for fun.

And, within seconds, I'm caught up in the silence, the grief and the parts of relationships that don't have words. I was totally spellbound by the father/son conversations that are both familiar and unexpected.

In fact, it the "unexpected" in this short film that caught my attention and kept me engaged throughout--with great storytelling, inviting characters and solid performances!

I simply want more!!!! It was beautiful!!!! Thank you!!!!

"For Years to Come," from James Patrick Nelson, succeeds by being at once classic and new. The format and tone, is very traditional. While this could allow it to get lost amongst many other independent Pilots and Shorts, it is worked into an asset: the traditional nature of this piece allows it to surprise you with moments of new-found comedic structure worked into the structure of its dramatic emotional spine. Additionally, in just under half an hour, we get an honest depiction of the characters in vulnerable moments, enhanced -and not undercut- by comedy. (And Richard Riehle is a standout, of course).

I caught this at Dances with Films in the episodic block and was really impressed by it. Well made, nicely shot, strong writing and directing - and great performances! It has a very unique tone as it deals with grief, expectations, family, finding love, and sexuality. You could tell the audience was really into it, so I know its themes and humor resonated with people. James Patrick Nelson shared afterwards that he based the story on his own life experiences, and you can tell by the details that you're watching an authentic voice. Hoping it gets picked up as a series because it definitely ends with a cliffhanger!

First virtue - Richard Riehle , in the role of father.

Second good point - the story itself, precise crafted, tender, gentle and soft.

Not less- the humor, nostalgia, realism and what real matters . And, sure, the wisdome of mother and her very special legacy.

Difficult to describe the story because it seems a personal letter . Not the lines, not the message in exact way but the feeling reading it - this real matters. Sure, easy to say I like or just I love it but , maybe, fair remains to define it as profound useful short film. Including for the secret of father, for hat and for the dialogue of son with a guy who knows him very precise as last gift from the lovely mother.