63 Up

Time remains undefeated. Death is stalking the series now. It's the uncredited cast member haunting everyone from this point on. Michael Apted remains the director but I don't know for how long. He stays off camera to my disappointment. Some members are battling illnesses. Work is winding down or even gone. Most are happy to talk about their kids and grandkids. A few speak about Brexit. Neil is not fully open about his trouble marriage and I can understand why. Tony's cab business has been heavily damaged by Uber and he has retreated from his Spanish dreams. I wonder if Lynn's family gets their own section in the next one. Does this continue beyond death? More and more, I wonder about mortality in general and the mortality of this series.

The graying and mortality of the Up family takes center stage in the ninth installment of this incredible landmark series. One member has passed away and another is gravely ill as children and grandchildren dot the reunions and monopolize conversation and concern. Retired or nearing it they all show little to no regret in most cases with all for the most part satisfied with the way things have turned out this far along. There have been disappointments and setbacks but hope springs eternal in all as they look to the future well aware they are past their peak but still have something to offer and look forward to.

I adopted these distant relatives decades back and always look forward to the reunions where I get to catch up with them. It has been interesting watching them grow and mature over time as I have aged with them. Holding up a mirror to my face, mulling over the same questions director Michael Apted poses to them and their responses it remains a cinematic experience like no other for me. Hopefully I'll be around with the rest of them for the next chapter.

First, let's address the flaws of the program. The series explores the class system in England and how it determines the opportunities afforded each child. Each series begins with the quote "Give me a child until he is 7 and I will show you the man." Finally, the attitude of the filmmakers toward women is evident, especially in the earliest episodes. The subjects also complain of the superficiality of the series, constrained to half-hour segments on each person every 7 years.

True enough. Yet the series is mesmerizing for revealing changing attitudes and circumstances and how individuals cope with all the struggles we encounter as we age. Career advancement, relationship struggles, financial issues, health and death are glimpsed through the camera lens. Just to see the bright-eyed children at 7 and to see, even superficially, how each individual creates and lives a life reveals something of an era and themselves. The participants are subjected to the most intimate and sometimes mundane questions. Yet, for the most part, they continue to participate and kudos to them. I hope it gives them a chance to reflect and some perspective. I wonder if you would recognize the 7 year old I once was with the mature adult I am now.

Each time a new instalment arrives, my admiration and respect for the participants grows. They show a real and courageous dedication to the series and its importance, and I'm always mindful that the effects from this level of exposure have not always been positive for them.

Michael Apted has, at times, been guilty of some insensitive and perhaps inappropriate questioning, and has been taken to task quite robustly by his interviewees. And rightly so. It's academic now as to whether or not Mr Apted, a very successful international film director, has actually possessed the empathy to make him the right person to steer this project. But then, without some of his deliberate provocations, would there have been the great, intense moments we've seen? The result, for better or worse, is a sum of all its parts.

It's been a real privilege to visit these old friends every seven years, and share their lives' success, failures, loves and tragedies. In a world full of celebrity for its own sake and superficiality, there is an authenticity here that is rarely found. They deserve our thanks for sharing part of themselves with us. They certainly have mine.

In 1964, the short film "Seven Up!" appeared on British television. Its focus was on fourteen seven-year old children of different class backgrounds expressing their aspirations in life. Every seven years, a sequel was made re-interviewing the subjects as they expressed their current (at the time) life situations, concerns, and again, their outlooks for the future. "63 Up" focuses on most of the original fourteen post-middle age.

This film is part of a superb periodic series which uses great editing from its prequels to show the passage of time. The current film has special relevance as it is at the time of life when mortality is rearing its head.

Most of the subjects have lead rather conventional lives but there are a few exceptions particularly a man (Neil) who had great difficulties in his twenties and has had fascinating, unpredictable changes since then.

"63 Up" not only covers changes in the lives of the subjects but occasionally the changes in the world itself or at least in the UK. This includes discussions of the subjects' adult children who will likely face financial difficulties compared to their own prosperity as baby-boomers. In some ways, there could have been more talk on such worldly changes although Tony, a taxi driver, is blunt in describing how the rise of Uber has affected his livelihood.

The rare time an interviewee is asked about Brexit, it was always a man. There are only a handful of women (four out of the fourteen) interviewed and the omission of asking them questions on the state of the world reflects an attitude in earlier clips when as girls or young women, they were asked only about ideals of boyfriends, husbands, and children. Thankfully, an older clip is included in which one of the gals confronts the interviewer/director (Michael Apted) on this - and quite strongly, too.

While many of the stories have much in common and occasionally seem ordinary, it is still easy to care for these people after all these years. - dbamateurcritic