Goodnight Mommy

Elias and Lucas arrive at their mother's house, to find her wearing a mask, and feeling very much like a stranger.

Once again, we get another remake, another remake that pales in comparison compared to its source material. The Austrian film is Chilling and unnerving, this was quite a pale remake.

No issues at all with the acting, competently performed, with a strong performance from the excellent Naomi Watts, and very good acting from the boys also.

They could have upped the horror vibe a few degrees, it just doesn't grip the viewer, for a so called horror, it's all too flat, and by the time something happens, the film is almost over.

Some good special effects, the nightmare sequences looked really good, but such horror moments were too few and far between.

Just watch the original, it's far superior.

5/10.

Wowzer¡ I just watched this tonight. It's not a horror film but definitely a big ole thriller. I didn't know what to expect from one scene to the next as it was pretty intense 10 minutes into it.

All the acting is great. Even the children actors were good, which isn't usually the case. I found the adults acting to be on spot and stable through out. I especially liked how the police weren't portrayed as total jackomoes too. It was a pleasant surprise.

Then there is the ending. What the hell¡ The last 10 minutes totally caught me off guard as things were revealed and played out. A very nice job for this type of movie. I'd say watch it!

A shockingly dumbed down version for American audiences of an outstanding Austrian thriller, that lacks the impact, the brutality, the shock factor and the intelligence of its original. Instead you get the cinematic clichés, the sentimental overtones, the cheap musical dress-up and the spoon fed explanatory breakdown of a Hollywood style second class thriller. Watts is getting dangerously close to being typecast as the go-to actress for remakes, which can't be good for her legacy. The performances are fine overall nevertheless, are not sufficient however to even soften the crush that is the comparison between the two films. If you haven't seen any of them, do yourself a favour and watch the original without getting spoiled by this mediocre attempt of a crowd-pleaser.

It's not a shot-by-shot remake. Some visuals from the original (Austrian Version) remain, but they don't pack the same punch. While the twist in the remake did differ slightly from the original, it wasn't enough for Goodnight Mommy (2022) to stand more solidly on its own. The terror that's revealed in the Austrian version of the film is extremely exaggerated, but it gives the audience an idea of how obsessive familial ties can be and how dangerous ideas can take hold to shocking conclusions. Goodnight Mommy (2022)'s finale does not deliver that same shock.

Yes, the horror may be reduced. You can even nitpick at the twist that may be far from the original. Yet, Goodnight Mommy's surprisingly suspenseful journey and understated twist on the genre outweigh its faults. It's not especially memorable, but it's not bad either.

What would you do, if your mother felt like new, didn't act the way she should, behaved like mother never would, like a stranger in the house, makes you feel like a small mouse, quite aggressive and quite cold, not like the one you knew of old.

Elias and Lucas struggle to come to terms with their mother when she re-joins them after a period of hospitalisation. Taking matters into their own hands they explore a variety of ways to unmask their doppelganger and expose the truth.

A remake of a far more powerful Austrian film that avoids super glue, cockroaches and cats, to settle for a more palatable finale that ultimately quenches the dynamic and leaves it somewhat neutered, albeit well performed and passable.