A Working Man

Jason Statham plays the same character that he does in every other one of his movies, of course, but A Working Man is more of a Steven Seagal-like straight-to-video effort, i.e. An extra dumb plot, big plot holes, cartoonish characters, over-the-top acting, and of course Statham has to say things like "I don't want any trouble" before beating the crap out of everyone. I could probably write a book about all the dumb things that are said in this movie, but I'll just give one: When a mother's daughter is kidnapped by a Russian crime mob, the police tell her "they don't pursue these cases." Ok well, I guess vigilante justice is our only option then.

If it says Statham on the outside, it's Statham inside. Minor inconsistencies are acceptable. It's always a joy to see him fire about 200 bullets from a 20-round magazine. And of course, he's invulnerable. I almost forgot. 😉. Very much in vogue: a young, smart and powerful woman who was placed at his side so that the male audience wouldn't fall asleep.

The only thing missing was for him to catch the flying bullets with his teeth. So, for a possible second part, one could add more. For the faint-hearted, the film exudes a fair amount of cultural pessimism. The theme of "I scare you, and then I'm the hero who saves you" is inherent in American films. As such, the plot is rather one-dimensional and not for people who prefer a more complex way of thinking. Nevertheless, we felt thoroughly entertained at the end of the film and deeply impressed by the many close-ups of Statham's heroic face.

In the same vein as Beekeeper although that's better but this is darker and great entertainment! Not that bad but nothing special, the action is genuinely the best aspect. Jason Statham still shines as an ultimate action baddy and story felt mediocre. Regardless of anything I liked the villains fair amount, the music was great and entertainment value was pretty good; I previously saw Death of a unicorn that was better even though that was cheesy too I recommend it.

It helped seeing this in RPX the sounds were incredible, I don't understand why that showing is only available at the end of the day makes no sense. I loved the last half the most awesome action.

Normally I'm all in for a Statham movie, willing to suspend disbelief for 100 minutes... but this is just too much. Not the plot. That's fine, genereic, done better in Taken... but the direction! The characters are dumb, annoying beyond belief, and just say and do really stupid things all the time... the female villain only yells and screams at people, at random. If this was real, her partner would have shot her years ago. Towards the end, Jenny, the kidnapped girl, shows a bravado that is completely unearned. And don't get me started in the pure cliché of every russian character in the movie. Wow. It's like the 80's called, and they want their Chuck Norris movies back!

For full disclosure, this was the third film I watched at the cinema and having already sat through "A Minecraft Movie" I was flagging. A film this perfunctory and pedestrian was not what I was hoping for.

Levon Cade (Jason Statham) is an ex-Royal Marines commando, now working construction for the Garcia family. When their daughter, Jenny (Arianna Rivas) is kidnapped from a bar, Cade decides to rescue her. His quest takes him from low level drug dealers, all the way up to Russian mafia bosses, as he kills his way closer to his goal.

The problem is, whilst there's nothing particularly wrong with "A Working Man" there's also nothing particularly good, or perhaps better said, nothing particularly interesting about the film either. It feels like it's made on autopilot with a staid 'kill your way to the top' storyline and mostly rote characters. I say mostly because, as you might imagine, David Harbour is capable of making something relatively interesting out of a supporting role as a blind solder, who served with Cade, and helps him on his mission.

I wasn't surprised to see that the film was made in the UK. Jason Flemyng is particularly unconvincing and massively underused as a Russian mobster, you have Emmett Scanlan is a fairly major role and there is a key turn for British TV stalwart Kenneth Collard. Perhaps the most depressing aspect of the film is that David Ayer now seems to have settled into a rut of mid-price, mid-ambition, mid-quality action films.

Again, doesn't do anything notably bad - but less than 24 hours later and I can already barely remember it.