La belle époque

La Belle Époque poses the interesting question of which moment of your life you'd want to relive (if any). Victor Drumond (Daniel Auteuil), an aging cartoonist with a failing marriage with his wife Marianne (the elegant Fanny Ardant), definitely has one.. one where he first met the love of his life (Marianne, of course!). When Victor gets chucked out of their apartment one night by Marianne, he decides to make use of the voucher offered by his son to "return to his glorious '70s". This is made possible by Antoine (a childhood friend of his son's), who along with a bunch of sophisticated actors and authentic aesthetics (akin to elaborately done film sets), offers a service to let people relive their happiest moment(s).

Antoine (Canet) is going through a relationship struggle with Margot (a tough-to-take-eyes-off Doria Tillier), one of his actresses. When Margot is cast to play the role of Marianne in Victor's moment re-enactment (set in a cafe in Lyon, 1974), things slowly spiral out of control. Victor can't help but fall in love with this beautiful, trailblazing lady (who improvises her lines and situations) for real. In her, he sees traits of his wife, but with unique texturing of her own. As days progress, Victor finds that he's able to draw (i.e. create art) again.

Nicolas Bedos strongly projects how art is one of the few things that can stand the test of time - sometimes, even love tends to take a backseat. He also leaves a heartwarming message (for everyone who's been in love at some point) in the form of the climax scene. It's a nostalgia-filled ride too, into an imagined version of the 70s. Victor casually comments on the times when people used to smoke like they owned chimney lungs and notice other people passing by instead of staring into phone screens (like we do now!).

Plenty of sharp, cleverly written humor is also present for discerning viewers. Bedos can feel proud of the fact that he didn't overly sentimentalize the proceedings or overuse his unique rom-com concept. The writing here for each of the lead characters is solid and very Kaufman-esque in its world-building. I, for one, would love to visit Utopia as many times as possible. Also, I feel uber tempted to check out Doria Tillier's other works ASAP!

Aging Victor is down on his luck: he's unemployed and he has been kicked out of his own home as his wife has left him for his former boss, the man who fired him. Then he is offered a chance to recreate a moment in time and he chooses the moment in 1974 when he and his wife first met.

An interesting, entertaining and emotional film. Great in its application of nostalgia and our desires to relive our fondest moments. The central plot is quite basic and ends fairly predictably, though emotionally. However, some of the sub-plots are quite interesting, especially the Antoine-Margot-Victor relationship. There's also some very funny moments: the assistant director gets some great scenes and one-liners.

Not always engaging though. The plot does seem unfocused at times and some scenes and sub-plots go nowhere.

Can't fault the casting: the big names, Daniel Auteuil and Fanny Ardant, are great and nobody puts a foot wrong. Doria Tillier, as Margot, steals the show though.

My own personal 'Belle Époque' would have been my student days in the late 60s, most especially '69, when I fell amazingly in love, so I was 5 years ahead of Victor, but I can so much identify with the nostalgia, and the desire to go back. Indeed, I often visit those days in my dreams, with the sort of distortion of events that only dreams can do. So if I could pay to be magically transformed completely to 1969, to live its fabulous intensity all over again, only my bank balance would hold me back. To return to relive a time when the world lay ahead of me, everything seemed possible, and I was not old and cynical, now wouldn't that be marvellous? It is so refreshing to watch a movie that involves genuine acting, and Daniel Auteuil is magnificent, as always, his eyes alone capable of expressing so much emotion. And it sets 21st century and possibly futuristic technology against a backdrop of 1974, when life really was all so much simpler. The movie does at times become dream-like in its depiction of Victor's recreation of his youthful journey, and most certainly surreal, definitely bewildering in places for him, and the whole story is cleverly handled with wit and elegance. Well worth seeing, and I will give it a faultless 10/10

I really enjoyed watching this movie. It's fresh and keeps the viewers well connected with the characters. Exceptional acting. It makes the viewer appreciate the true power of performing a movie within a movie. A clever script, in my oppinion, with a blend of old and new to match. For me, though, it would've been even more gripping if the reenactment had taken place at Marianne's request, rather than Victor's choice. That way, he could've been unaware of everything going on behind the scene, so they can relive their happiest moments, as an attempt to save their marriage. Too cliche? Maybe. Anyway, that's just a thought. I like it all the same.

We play different roles in our lives, and sometimes we forget which one we are playing. The characters speak truths about themselves when acting, and wish they could act like they enjoy their real life. It is a film which is all the more touching because it evokes sympathy (for Victor) without being sad; it is dramatic without being indulgent (Antoine's fierce perfectionism that is distracted by Margot); it is sentimental without being nostalgic (They are not 'lost' in the past, and the pop culture references are spot-on). The script is tightly written and the wit comes through even to a non-francophone audience. It is an immensely satisfying film because all the characters grow, and come to an understanding of themselves and who/what they love in the end, bringing much laughter and tears to the audience along the way. The music is also perfect at each juncture. Bravo.