Savage River

Engrossing, quiet, almost Altmanesque whodunit that weaves an intricate web of criss-crossing, interconnected characters: it seems everyone is related to, or at the very least knows, everyone else in the small Australian town called Savage River. The very beautiful Katherine Langford is the nominal lead, but it's really an ensemble piece. I was kept guessing about its twin mysteries - past and present. Its only real flaw - and it's a trend I notice in more and more TV series lately - is that it's too long; it probably should have been a 2-hour movie, and would have worked better that way. *** out of 4.

I really hoped this was just another great mini-series like the ones that are based on Harlan Coben's books. But it really isn't that good. I don't wanna spoil anything, so I'll try to stick to the broad pros and cons: Pros: The surroudings. The scenery of Tasmania is really beautiful.

The acting is pretty good. No complaints here.

Cons: It's a veeeeery slow show. It draws out every scene like it's a drama serie. The pace is the same every scene. You never get some action. And this is really weird for a series that is about a crime. In the end, I kept watching because I wanted to find out who did it. But the last three episodes felt like a choor.

There's one big mistake in this series. I really can't believe the makers didn't see it when they watched it for themselves.

Savage River was a brilliantly paced crime/drama with an incredible cast to back it up. From the outset, the plot line found a grounded feel, and escalated in a suspenseful, subversive manner.

The cinematography was stunning and shots pretty laconic. The soundscape behind it was charming no doubt.

Defiantly emblematic of regional Australia and thematically hit the nail on the head of many issues facing these townships.

The spoiler free ending was deeply satisfying - sticking the balance of answering as many questions as it perhaps raised. Really hopping that along with Mystery Road Origins, we see this renewed for another season.

The style of this miniseries is to be dropped into a situation with no context or information. We start with following along a young woman who is just getting out of prison on parole and apparently returns to the very small hometown she started out in as a young girl. Plot unrolling happens by character discovery and interactions, as well as the art of deciphering any kind of relationships and who's who. Information is slow to be had, and we don't really know what kind of a person she is or anything that has happened to develop her, inside of prison or out. The acting is decent enough, and there is some intensity which is a good start... even if fairly cliche for this storyline. Ultimately, if you find entertainment in series such as Rectify or the recent Sandra Bullock movie The Unforgivable, then I think this is worth a look, although I don't think this Australian production will outmatch either of those in writing quality or casting. Personally, I'm looking forward to seeing it through.

Got me hooked to watch the whole thing in two days after work. Good writing, story was good and kept you wondering who done it. It needed to show longer pauses when the camera shot was on pieces of paper or texts; I couldn't read what it said. Character development was slow, Miki did develop somewhat and the story had enough movement to keep you watching. There were some good acting moments notably from the "good news in a box moment" around the table, that moment was very believable. It just showcases a very Australian way of life from chops for dinner, Vegemite toast, pub life, driving Holdens, yeah m8. Good job 👍🏻