See How They Fly
- Episode aired Dec 15, 2019
- TV-MA
- 1h 7m
IMDb RATING
8.7/10
7.3K
YOUR RATING
Everything ends. For real this time.Everything ends. For real this time.Everything ends. For real this time.
Robert Wisdom
- Seymour
- (as Robert Ray Wisdom)
Featured reviews
And so, a season (series maybe) finale that whilst not hitting the heights of some of the earlier episodes totally sticks the landing, pulling together the disparate threads of the plots into one totally satisfying conclusion.
With Dr Manhattan (Yahya Abdul-Mateen II) successfully captured by the 7th Kavalry and preparing to take his power for their own, Angela Abar (Regina King) launches a desperate escape mission to rescue her husband. Meanwhile Lady Trieu (Hong Chau) sets her own plan into motion.
I write this review on New Year's Eve in 2019 so can look back with a bit of reflection. I honestly thing that this "Watchmen" show was the best thing I've seen this year. To say that I approached it with trepidation was an understatement, given the reverence the source material requires - but every decision made with the series was excellent. To attach where they did, to build on certain mythology but not others, to build it about present day tensions much like the graphic novel reflected the threat of nuclear annihilation at the time. It has been phenomenal.
As I say, this episode in particularlis perhaps not as stellar as some of its predecessors. It is naturally a little more concerned with pulling the plot together and wrapping it up than in high concept artistry, or time bending machinations. That is not to say it doesn't have a few of its own revelations. The statue of Veidt, for an example. But maybe a couple of those ideas felt underwhelming, the tower, for example, didn't add up to much. However, for a show produced and written by Damon Lindelof, this much of an all-encompassing conclusion was more than you could reasonably have expected.
What next then? Certainly, I don't want another series that picks up exactly where this finishes. If you absolutely have to, my preference would be a show leading up to the 1995 arrest of Nite Owl. I'm not sure I want anything more at all, to be honest, given that there's now two high quality aspects to live up to.
With Dr Manhattan (Yahya Abdul-Mateen II) successfully captured by the 7th Kavalry and preparing to take his power for their own, Angela Abar (Regina King) launches a desperate escape mission to rescue her husband. Meanwhile Lady Trieu (Hong Chau) sets her own plan into motion.
I write this review on New Year's Eve in 2019 so can look back with a bit of reflection. I honestly thing that this "Watchmen" show was the best thing I've seen this year. To say that I approached it with trepidation was an understatement, given the reverence the source material requires - but every decision made with the series was excellent. To attach where they did, to build on certain mythology but not others, to build it about present day tensions much like the graphic novel reflected the threat of nuclear annihilation at the time. It has been phenomenal.
As I say, this episode in particularlis perhaps not as stellar as some of its predecessors. It is naturally a little more concerned with pulling the plot together and wrapping it up than in high concept artistry, or time bending machinations. That is not to say it doesn't have a few of its own revelations. The statue of Veidt, for an example. But maybe a couple of those ideas felt underwhelming, the tower, for example, didn't add up to much. However, for a show produced and written by Damon Lindelof, this much of an all-encompassing conclusion was more than you could reasonably have expected.
What next then? Certainly, I don't want another series that picks up exactly where this finishes. If you absolutely have to, my preference would be a show leading up to the 1995 arrest of Nite Owl. I'm not sure I want anything more at all, to be honest, given that there's now two high quality aspects to live up to.
The story started off confusing with the first several episodes but halfway it found a groove and has thus ended with another confirmation that the writing duo of Lindelof & Nick Cuse know what they're doing and have brought yet again another rich TV series where I can't wait to watch the next episode. Awesome last episode for the first season.
It wraps up the main story it does leave a few threads left open and that's a little frustrating but this is a masterpiece on the same level of breaking bad or perhaps just shy of it do not read spoilers unless you've already see it cheers
Loved the movie (2009). As for this series that came as a sequel I honestly didn't like the first 2 episodes, I was like "wtf! this is not Watchmen, not even close... But the rest of the episodes were brilliant and then I thought the first 2 were not so bad, they were essential parts in this great story. If there won't be a second season it's fine, the ending was perfect imo. If it will be renewed for 1 or 2 more season it would be great! 10/10 for this ep and 9/10 for the whole seas
10XweAponX
I should have figured, everything Dr. Manhattan ever did had some context somewhere else. Why else would he start making waffles right before the gang of Rorschachs attack?
This episode solidly focuses on the Lady Trieu, and it explains a lot- you just have to facepalm yourself for not realizing it sooner. And also the final moments of Adrian Veidt's exile, say goodbye to Phillips and Cruickshank. But the question is, when did these events actually happen? That question is answered here.
The events that led up to this point is a tale that has unraveled like a cleverly woven tapestry.
We already knew pretty much exactly what was going to happen. That's the problem when writing stories about characters that know their own futures. There is a lot of thematic imagery that this episode returns to: Episode four introduces the egg and acorn elements. Egg, acorn. Pretty much the same thing and both become relevant. That's how you write for characters who know their futures, you tell their stories with well-placed references and vignettes.
The satisfaction is, seeing all of the little things that happened to make those futures come about.
We had our eyes focused on the Gang of Rorschachs and Senator Keene, Jr. - I suppose this is the same "Keene" whose father wrote the Keene Act which illegalized masked vigilante-ism. Now we know after watching this chapter that even the Keene Act was designed to do something else as well, it was a sham and a scam just like the tax scam of recent. But while we were all wrapped up in trying to figure out what was going on there, something even more insidious was happening. Our attention was taken off of it, in the same way that Dr. Manhattan was fooled.
A raging narcissist should never be afforded the opportunity to become a god, in fact they shouldn't be afforded opportunities to be in positions of authority or power either.
"Oh what a beautiful morning, oh what a beautiful day, i've got a beautiful feeling, everything's going my egg..."
I had submitted a slightly different review just before this, but I think this one reflects my feelings about it a bit better. And none of them were "badly formatted". Insert anger emoji.
This episode solidly focuses on the Lady Trieu, and it explains a lot- you just have to facepalm yourself for not realizing it sooner. And also the final moments of Adrian Veidt's exile, say goodbye to Phillips and Cruickshank. But the question is, when did these events actually happen? That question is answered here.
The events that led up to this point is a tale that has unraveled like a cleverly woven tapestry.
We already knew pretty much exactly what was going to happen. That's the problem when writing stories about characters that know their own futures. There is a lot of thematic imagery that this episode returns to: Episode four introduces the egg and acorn elements. Egg, acorn. Pretty much the same thing and both become relevant. That's how you write for characters who know their futures, you tell their stories with well-placed references and vignettes.
The satisfaction is, seeing all of the little things that happened to make those futures come about.
We had our eyes focused on the Gang of Rorschachs and Senator Keene, Jr. - I suppose this is the same "Keene" whose father wrote the Keene Act which illegalized masked vigilante-ism. Now we know after watching this chapter that even the Keene Act was designed to do something else as well, it was a sham and a scam just like the tax scam of recent. But while we were all wrapped up in trying to figure out what was going on there, something even more insidious was happening. Our attention was taken off of it, in the same way that Dr. Manhattan was fooled.
A raging narcissist should never be afforded the opportunity to become a god, in fact they shouldn't be afforded opportunities to be in positions of authority or power either.
"Oh what a beautiful morning, oh what a beautiful day, i've got a beautiful feeling, everything's going my egg..."
I had submitted a slightly different review just before this, but I think this one reflects my feelings about it a bit better. And none of them were "badly formatted". Insert anger emoji.
Did you know
- TriviaWhen Angela talks to Will in the theatre, a horseshoe appears in the middle of the Oklahoma stage background, evoking the horseshoe that has been a recurring theme in Adrian Veidt's story.
- GoofsAll entries contain spoilers
- Quotes
Will Reeves: You can't heal under a mask, Angela. Wounds need air.
- ConnectionsFeatured in The 72nd Primetime Emmy Awards (2020)
Details
- Runtime
- 1h 7m(67 min)
- Color
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