IMDb RATING
6.3/10
2.4K
YOUR RATING
An American journalist travels to Poland with her Holocaust survivor father to visit the places of his childhood. However, he sabotages the trip by avoiding reliving his trauma.An American journalist travels to Poland with her Holocaust survivor father to visit the places of his childhood. However, he sabotages the trip by avoiding reliving his trauma.An American journalist travels to Poland with her Holocaust survivor father to visit the places of his childhood. However, he sabotages the trip by avoiding reliving his trauma.
- Director
- Writers
- Stars
- Awards
- 4 nominations total
Magdalena Celówna-Janikowska
- Zuzanna Ulicz
- (as Magdalena Celówna)
Tomasz Wlosok
- Tadeusz
- (as Tomasz Włosok)
Slawomira Lozinska
- Gosia
- (as Sławomira Łozińska)
Ralph Kaminski
- Hired Musician (Shimek)
- (as Ralph Kamiński)
Karolina Kominek-Skuratowicz
- Female Vendor
- (as Karolina Kominek)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.32.4K
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Featured reviews
10gnmnwwdm
A movie that takes you into tragic but also beautiful moments
The movie is very moving. It shows the different facets of the victim and repression and the urge to protect the children from it, but also the daughter's point of view, who wants to know and understand what her family had to go through. In addition, the relationship between two adults who have the role of child and father is palpable. Both characters only want the best for each other, even though they appear to be mutual. The story doesn't feel like a movie you're watching. You are emotionally taken along on the journey and can experience some of the poignant moments. Beautiful and sad at the same time, it shows the resilience of a person who has experienced tragedy and can still experience joyful moments at the same places.
Refreshingly Real
It's really refreshing to me seeing a movie that's just sincere. Nothing stylized or saccharine, just really powerful dialogue and story unfolding naturally while working on so many levels. It feels like this movie exists in the real world. I'm usually skeptical about fiction that incorporates the holocaust because sometimes it's used as an unnecessary gimmick, but every element about this story is vitally important. The conversations about processing generational trauma are breath-taking. The two lead actors, Lena and Stephen, really made me empathize with their characters and they both deserve Oscar nominations. Also, this is based on a true story and I love when movies based on true stories show photos of the real-life people during the credits.
Perfect; bravo !!! 👏👏👏
I thought I wouldn't like it because of the Stephen Fry insert in such a serious movie. But boy was I wrong, and quick to judge!
If you're rating this less than a 6, I can only assume you're either a soursop or someone who prefers mass-market pop movies like those churned out by Marvel. This film offers so much more than surface-level entertainment; it has depth, originality, and craftsmanship that deserve recognition. While it might not cater to mainstream tastes, it's a refreshing alternative for those who appreciate cinema with substance and a unique voice. Don't overlook its brilliance just because it's not what you're used to seeing in big-budget blockbusters.
It challenges viewers to think deeply and engage with its narrative, rather than passively consume flashy visuals. This is a film made for those who appreciate cinema as an art in its purest form.
If you're rating this less than a 6, I can only assume you're either a soursop or someone who prefers mass-market pop movies like those churned out by Marvel. This film offers so much more than surface-level entertainment; it has depth, originality, and craftsmanship that deserve recognition. While it might not cater to mainstream tastes, it's a refreshing alternative for those who appreciate cinema with substance and a unique voice. Don't overlook its brilliance just because it's not what you're used to seeing in big-budget blockbusters.
It challenges viewers to think deeply and engage with its narrative, rather than passively consume flashy visuals. This is a film made for those who appreciate cinema as an art in its purest form.
A study on generational trauma
Realistic portrayal of the way trauma carried on within families of Holocaust survivors. Just because the war ended didn't mean that all the wrongs were righted. This shows how those atrocities were resolved over time only by the people willing to acknowledge them and do the work, both victims and good Samaritans. And, likewise, there still existed people that kept the spoils of war and continued to profit from it.
Science only recently learned how trauma can literally be transferred through DNA (by causing stress responses to be expressed in offspring that would not otherwise have been). This is probably an evolutionary adaptation to increase the survival of offspring in a particularly stressful environment. Interestingly, this story might actually demonstrate that process at work. I believe the writers are referencing this phenomena when they show Ruth having nightmares about lice in her bed. Although the actual memory is not inherited, the stress response would have been, triggered by reading the history. Adding to the fact of also being raised by survivors who suffered from PTSD, it correctly characterizes her as an extended victim of the Holocaust.
There is some other stuff going on here, too, including messages on body positivity and grief over losing a loved one. I really like that they go on this physical journey as a representation of their inner transformation, because places, especially associated with ancestors and childhood are extremely powerful in shaping us. So, returning to them in order to reprocess memories and heal, is a believable scenario of change. It also seems that as a society, as we put wars behind us, we pretend as if those people and places no longer exist, never returning to them, or preserving them and refusing to change them. I think there's some commentary here about the unhealthiness of this, even if revisiting it can help people heal. Perhaps it can change once all the people heal & can move on. But, of course, there are legitimate reasons that we should maintain these memories as a society.
Science only recently learned how trauma can literally be transferred through DNA (by causing stress responses to be expressed in offspring that would not otherwise have been). This is probably an evolutionary adaptation to increase the survival of offspring in a particularly stressful environment. Interestingly, this story might actually demonstrate that process at work. I believe the writers are referencing this phenomena when they show Ruth having nightmares about lice in her bed. Although the actual memory is not inherited, the stress response would have been, triggered by reading the history. Adding to the fact of also being raised by survivors who suffered from PTSD, it correctly characterizes her as an extended victim of the Holocaust.
There is some other stuff going on here, too, including messages on body positivity and grief over losing a loved one. I really like that they go on this physical journey as a representation of their inner transformation, because places, especially associated with ancestors and childhood are extremely powerful in shaping us. So, returning to them in order to reprocess memories and heal, is a believable scenario of change. It also seems that as a society, as we put wars behind us, we pretend as if those people and places no longer exist, never returning to them, or preserving them and refusing to change them. I think there's some commentary here about the unhealthiness of this, even if revisiting it can help people heal. Perhaps it can change once all the people heal & can move on. But, of course, there are legitimate reasons that we should maintain these memories as a society.
Fractured father/daughter journey
Treasure follows Ruth, the daughter of two Polish/Jewish Holocaust survivors, who journeys to Poland in 1991 to see places important to her family's story. Ruth's father, Edek, only accompanies her because he doesn't believe a women should travel alone. The best, most poignant scenes are a visit to the Auschwitz concentration camp, where Edek and his late wife were imprisoned, and a scene where a family treasure is found.
The rest of the movie is tedious, with many father/daughter disputes, including a very awkward argument in front of three people they only met a few days before. The lack of tolerance between Ruth and Edek is painful to watch. Although Ruth wants to find her Polish roots, she seems disdainful of the Polish people and culture, even the food.
The movie is inaccurately billed as a comedy/drama. I didn't expect much comedy, and most attempts at humor fell flat. The few touching moments are overwhelmed by exaggerated father/daughter conflict.
The rest of the movie is tedious, with many father/daughter disputes, including a very awkward argument in front of three people they only met a few days before. The lack of tolerance between Ruth and Edek is painful to watch. Although Ruth wants to find her Polish roots, she seems disdainful of the Polish people and culture, even the food.
The movie is inaccurately billed as a comedy/drama. I didn't expect much comedy, and most attempts at humor fell flat. The few touching moments are overwhelmed by exaggerated father/daughter conflict.
Did you know
- TriviaThe picture of her ex-husband which Ruth uses as a bookmark, is a picture of Lena Dunham's husband Luis Felber. They have been married since 2021.
- GoofsRuth mentions the Rock and Roll Hall of Fame as being a museum. The movie is set in 1991, but the hall of fame/museum did not open until 1995.
- SoundtracksLife is Live
Performed by Stephen Fry
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Hazine: Geçmişin Külleri
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $541,578
- Opening weekend US & Canada
- $268,062
- Jun 16, 2024
- Gross worldwide
- $1,747,546
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
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