Last Film Show

Here the algorithm is very simple. You yourself know how many different films there are in India. So the Academy will not choose a bad one. Of course, it is beneficial to them in terms of audience and number. But still, it's a good movie. About how you are from a city without prospects, going after your dream. Actually, the picture is very beautiful, there are many combined scenes and angles. Some may find the story too naive. Yes, it is. But still, it deserves to be seen.

India has clearly learned how to make a nice picture with a bunch of different scenes, for little money. Shortlisted for the 2022 Oscars in the international category.

This is a very good film overall. I will therefore skip on already provided here delights of cinemas paradisos.... However, what other reviewers didn't notice is that this visual masterpiece balances our delights in films with several statements - produced by the local film "expert", namely Fazal, the operator of a film projector in cinema "Galaxy" - that the films prime service is in the service of lies. Appropriately, the movie main character, a child who want to connect light and stories, is a consistent and consummate liar in the service of lies-bearing films - which leads him even to the stay in the juvenile house. Yet Samay does not stop - he will be lying further. Since Fazal is a Muslim and Samay is a Hindu one cannot but see delicate polemics between two religions concerning lies and its embellishments too. Fazal does not want to see more films.

This beautifully shot movie has certain fantastic elements: for example, it is hard to believe that a working film projector can be built by an elementary school pupil just from scrap metal. On the other hand, the most moving scene, of the death of the old projector and of the old film reels, has clear apocalyptic undertones - by fire these artificial stories are destroyed, and then they are reborn/reincarnated as cutlery and plastic jewellery. It may sound comic as you read it, but believe me, in cinema it will be a truly apocalyptic experience, thanks not only to cinematography and editing but to music, appropriately framing those scenes. In the end, constant associations of "light" and stories/movies together with the closing journey of fire & apocalypse conveys some religious, gnostic, or perhaps occult, ideas - like of the fight of Light with Demiurge, the god of matter. But is the Light a lie...?! The Question stays.

Chhello Show (2021) : Brief Review -

What Giuseppe Tornatore's Italian classic "Nuovo Cinema Paradiso" missed, Pan Nalin's Chhello Show brings to the screen. An unforgettable ode to real struggle and love for cinema. Tornatore's Cinema Paradiso will always remain in memory books, and why not? That film was just magic, especially for a true movie buff. I won't say Tornatore missed something considering the late 80s filmmaking, because Cinema Paradiso was way ahead of its time. But today, when I look at it as a modern classic and think that there was a scope for something, then I would have loved to change the personal angle of the protagonist from a regular working guy to someone who loves cinema more than anything in life. But that's life, you know. You have to sacrifice the most loved thing to achieve some mainstream goals, so I will give it a fair excuse. However, Pan Nalin's Chhello Show made my imagination come to the reel life in the best possible way. The love for cinema is the basic subject, as we know, but how far you can take it is the real challenge. Nalin just didn't take the challenge, but set a landmark for others. An absolute banger of a cinema into cinema. Cinema Paradiso, Cinema Bandi and Chhello Show - three films that show you the real passion of cinema and I'd like to watch on the last day of my life. Nalin's film is an ode to all the great filmmakers and actors who have filled out life with different colours on 35mm. That climax, the bangles, and the names.. Speechless. A pin-drop silence with an ultimate burn. I was remembering films by Georges Méliès, DW Griffith, Fritz Lang, Ozu, Wilder and many more of those filmmakers mentioned there. Swapnil Sonawane's frames would get a 10/10 from Leonardo Da Vinci. What stunning cinematography! Thank you, Mr. Genius Nalin and the entire team of the Chhello Show for the show of a lifetime. The Cinema and we cinema lovers will always owe you a salute for this memorable tribute.

RATING - 8.5/10*

By - #samthebestest.

I have previously predicted and written that Pan Nalin is one of the most innovative and soulful filmmaker of modern era. Each of his movie is fresh with renewed moviemaking style and substance. And Last Film Show is a masterpiece in every sense of the word. It's gorgeous and deeply moving, It's tragic and terrific, It's the purest cinema with unbelievable simplicity and poetry. Pan Nalin not only celebrates magic of movies but also the magic of being unknowing genius. From Lumiere Brothers to Tarkovsky, Pan Nalin packs in so many punches and passion filled plots in one single movie -as if he has managed to pay homage to the entire gamut of movie magic and entertainment industry.

Last Film Show took me on an incredible voyage as if I was in a trance. I was hypnotized by this skillfully crafted movie and totally blown away by the command of direction, cinematography, editing and sound design.

I laughed, I fell silent, I was anxious, I was scared, then laughed again -but in the end it made me weep. This movie is breathtaking and heartbreaking both at the same time. It touches you deep within. It is a top-notch quality entertainment that is so inspiring - you will come out of the movie feeling happy, positive and uplifted.

Super highly recommended -and watch this movie with your family and friends -and it is an absolute must for those who love cinema!

Open your heart and let the Pan Nalin flood your heart with his light...

This semi-autobiographical tale narrates the life of Samay from the moment he discovers the beauty that is cinema and falls in love with it. The cute boy with a sharp tongue who knows to humorously explain the reason behind his parents naming him Samay (Time) gets mesmerised by the idea of a film. Not wanting to make a film, his obsession begins with bunking classes to catch a film and when he doesn't have the money to watch one, he learns to bribe the projector guy Fazal to let him watch the films from the projector room. Thus begins his journey through the basic lessons of screening a film, taught by the Fazal.

The film spends quite a bit of time at the projector room with Samay feeling the light and how intrigued he is with what he sees on screen as well as the process that goes through to bring life on screen, turning light into stories. He has his bunch of friends back at home, with whom he experiments with showing film reels, each of these scenes were really charming. The cinematography is indeed the main lead here especially with the kitchen shots where Samay's mother prepares yummy dishes for him even after realising someone else is eating them.

The film stay too personal with each scene, sometimes feeling too over indulgent considering the entire film is from the little kid's pov and it is way too profound for him to relate that way. Battling his tea selling father's dislike towards films and ofcourse not realising the struggles of his father to make ends meet. Adding to that is the tryst with the law, again due to his actions without understanding the repercussions. The true heart wrenching moment is with the reels to digital transformation bit which is beautifully depicted on screen. The film's end however looked rushed.

Overall, it is a sweet tribute to cinema. With a runtime under 2 hours, one cannot complain much about the pace.