Shadow in the Cloud

Bad script, so bad, I am not sure how it went to production with so much nonsense that makes no sense and just doesn't work. The acting was pretty nice by most actors and there were good moments, nice cgi. Script absolutely ruined the movie. Could've been a blockbuster if they just reworked it a bit( it is not that hard, I can clearly see about 10 possibilities without even thinking about it)

4.6/10

I read the synopsis before I realized Grace morritze is in it and I thought the premise sounded dreadful. After watching the trailer I thought I didn't have anything to lose by watching it. Turns out i lost brain cells, as it's laughably bad, so much so I had to watch it to the end, as I was incredulous and curious about wether it would improve, but it just got more odd.

I think it's meant to be 80's B movie bad, hence the heavy synth music and poor effects. I really hope that's the case as it just got weirder by the minute. Everything was poor; the script, the heavy handed misogyny, the acting (at one point Chloe reprimanded her colleagues for their remarks and she sounds like a teacher telling kids off, rather than an authoritive soldier), the effects (apart from the dog fights, they were cool), the storyline was terrible, just awful.

I really hope I missed something and this was supposed to be a homage to old camp ott 80's horror, because if not I'm concerned about everyone's career in this. I'm sure there was a message about the indomitable spirit of womanhood, "girls can do stuff now" and the lengths we will go to protect our own, despite the blatant sexism and misogyny we experience and the odds being stacked against us, but if so it was jammed right in our faces and we were bludgeoned with it.

It could also be viewed as a comedy as there are so many "oh, come on!" moments, my eyes rolled so hard they nearly popped out of my head. If you watch this do not take it seriously,, and you might just make it.

Imagine a double feature. Imagine taking the powerful, claustrophobic WWII drama "Das Boot" (1981) and immediately following it with "Mega Shark vs. Giant Octopus" (2009). Afterwards you can bet the cleaning crews will be scraping rancid vegetables off the movie screen all night. And, from the look of most reviews on imdb, that's how many viewers reacted to this flick.

"Shadow in the Cloud" is really 2 different movies, and if you plan on riding it all the way through without a dumpster full of rotten produce, you have to realize when it shifts. The first act is a powerful, minimalist drama which is really along the lines of "Das Boot" (a tense drama set entirely in a dark, cramped submarine). The entire first part of "Shadow" is just Chloë Grace Moretz stuck in a cramped 5ft square ball turret on the belly of a B-17 Flying Fortress. The camera remains exclusively on her as she delivers a fantastic performance that could've easily been a 1 act play.

But be prepared. Abruptly, the entire film shifts to an action packed popcorn flick. If you can swallow this, you'll have a wild ride all the way to the end. But if you continue expecting this film to be a heavy, realistic drama, you will certainly be as irritated as if a German U-Boat were to suddenly fly up into the sky and get eaten by a prehistoric shark. (For the record, I consider both "Das Boot" & "Mega Shark" to be masterpieces of cinematic genius.)

You may have noticed that I haven't said a word about the plot. That's deliberate. I was told to go into this film blindly, which I did, and maybe that's the key to swallowing all the twists, turns, and violations of the laws of physics that happen. I mean, hey, if we can accept that a dude can dress up as a bat with a Home Depot tool belt and save the world multiple times, why can't we have fun with a wildly inventive thriller set on a WWII airplane?

Shadow in the Cloud: Feels like a mix between the Amazing Stories episode "The Mission", The Twilight Zone episode Nightmare at 20,000 Feet and Memphis Belle, with even a homage to Aliens. Maude (Chloe Grace Moretz) hitches a ride on a B-17 going from Auckland to Samoa, she's carrying secret documents but even though she's a WAAF pilot the crew give her a hard time. She has to go into the belly bubble gun-turret for take off but ends up being trapped there. Then a gremlin, a large bat/rat/ape creature appears and starts damaging a wing and attacking her turret, the crew disbelieve her at first. Much of the action is based in the bubble and the outside of the plane, with the airmen only being heard over the intercom until Moretz gets back into the fuselage. It's not just the monster that they have to fear though, Japanese Zeros also attack. The gremlin is quite convincing as are the hand to hand battles with it and the dog fights with the Zeros. Some of the events do require a suspension of disbelief but Moretz literally kicks gremlin, misogynist and Zero ass. A couple of interesting plot twists makes this into an Air Ace scary pulp story. Directed and Co-written by Roseanne Liang. 7/10.

First things first, if you complain about unbelievable things happening in a movie about gremlins attacking an airplane, you need to have your opinion license permanently revoked.

"Shadow in the Cloud" is obviously meant to be viewed as a simple comic book style rip-roaring WWII adventure to be enjoyed like a cheeseburger or a pint of ice cream and not to be deeply analyzed for plot depth and realism. The hordes of egotists falling over themselves to prove how "above it all" they are need to loosen up and switch to decaff. Yes, absolutely ludicrous things happen in this movie, and that's what makes it fun! Is everyone really so hopped up on dopamine from constantly scrolling through social media that they can't let go and enjoy a zany movie?

Chloe Moretz' performance was captivating and thrilling from start to finish. These are the kind of roles she was born to play and it was clear that she had an absolute blast making the movie. The rest of the cast were clearly there to be functional, forgettable cardboard cutouts, and the energy of the movie would have suffered if they'd been directed to draw attention away from the main character.

I'm confident that in a decade this movie will be found on film lists under the heading "Cult movies that were despised on release". I'd love to see a sequel!