Black Bear

This is an indie film about creatives. Writing, acting, making a movie, extreme emotions and their expression. Yes, the meta film is back in business and it stars Aubrey Plaza, which is the only reason why I watched it in the first place. Only instead of the sharp wit and weird sense of humor I had expected it's all just about women being jealous of each other and coveting the same man, then screaming about it because... artists. For two hours straight.

If you like films made by movie people about movie people, if you like uncomfortable scenes of anguish and people being asses to one another and have two extra hours you don't know what to do with, this is for you.

The average rating I gave is mostly because it was really well acted, which is why the film was probably done: to let actors show their "range" in a story without an actual subject.

This is definitely a film that leaves you with more questions than answers. There are some high points in the acting, but, in the end, there is just way too much dialogue and not enough story. That being said, the strongest part of this film is Aubrey Plaza. She is fantastic in her role as Allison and the only reason I am rating this 7/10. If you watch this film for anything, watch it for Aubrey Plaza's performance.

If only this movie had remained with the realistic and interesting vibes from the first segment it would have been great, the second half where it becomes a movie about the movie is still fun to watch but it made the movie kinda pointless. Aubrey Plaza is amazing in this tho, but when isn't she?

First half 9/10 Second half 6/10

Though I have some theories as to the reason behind - or, perhaps, meaning of - its non-traditional structure, they're really not that relevant when it comes to discussing 'Black Bear (2020)'. That's because the thing is far more focused on delivering an in-the-moment emotional experience than a completely cohesive intelligent one, its mid-point shake-up seeming to exist primarily so that the writer/director can tell the story he wants to tell without being constrained by traditional narrative form. It's difficult to describe what I mean without spoiling things so I'll just leave it at that. The film itself is a beguiling and engaging drama that opens with a filmmaker coming to stay at a beautiful cabin, seemingly in the hope of finding inspiration for her newest project, and having to navigate the tense relationship of the pregnant couple who owns it. Like its protagonist, it's decidedly hard to read; almost anything could happen and it wouldn't feel out of place. This makes for a surprisingly compelling experience, though. The characters are crafted with precision, both in terms of writing and in terms of performance, and the social dynamics that the plot explores are varied, interesting and often unexpected. Sometimes, it feels a bit like a play, probably due to its small cast and near real-time unravelling. There's just something a bit claustrophobic about it all, which works in its favour as it helps to create an oddly enigmatic tone. As I've mentioned, it's hard to discuss the picture without spoiling a key aspect of it. I suppose I'll just leave it at this: it's an entertaining and unique experience that features some great performances (including perhaps Aubrey Plaza's best yet). 7/10.

It's not a memorable movie, but it gets a clear thumbs up for two reasons.

First, it's creative. It's not your run of the mill sequel, there are no superheroes, no explosions, no bullshit. It's an awkward, trippy, but surprisingly alluring story that leaves a lot up to interpretation. That's genuinely nice for a change.

Second, the acting is legitimately good. To see actors digging deep and putting on strong, emotional performances is a puff of fresh air.

Solid film if you're up for something a little out of the left field.