Hunt and the IMF pursue a dangerous AI called the Entity that's infiltrated global intelligence. With governments and a figure from his past in pursuit, Hunt races to stop it from forever ch... Read allHunt and the IMF pursue a dangerous AI called the Entity that's infiltrated global intelligence. With governments and a figure from his past in pursuit, Hunt races to stop it from forever changing the world.Hunt and the IMF pursue a dangerous AI called the Entity that's infiltrated global intelligence. With governments and a figure from his past in pursuit, Hunt races to stop it from forever changing the world.
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- 10 wins & 19 nominations total
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Summary
Reviewers say 'Mission: Impossible - The Final Reckoning' is noteworthy for its spectacular stunts and action sequences, particularly Tom Cruise's death-defying performances in the underwater and airplane scenes. However, many reviewers criticize the film for its pacing, over-reliance on exposition, and lack of a compelling plot. The character development and emotional depth are often seen as lacking, with some reviewers feeling the film prioritizes spectacle over story. Despite these criticisms, the film is generally considered entertaining, with the high-octane action and Cruise's performance being the main draws.
Featured reviews
"Thank you.. for bringing me back"
It was quite clear this film had lofty ambitions since the previous entry.
And considering what it is, what came before it and the legacy it was meant to conclude.. I was expecting to be wowed! Not bored at the start, anxious for something to happen in the middle, and losing all hope to at least be surprised by the end.
It is almost 3 hours long, and the little that does happen, is buried between too much nothing. Awful pacing, dull and meanders dialogue that often goes nowhere nor builds-up to something, a completely dull villain and threat. And worse of all.. what is the point in a movie that constantly tells you exactly how it is going to go? And by virtue of being what it is, there is absolutely no mystery about its conclusion. Not playing with a viewer's expectation is NOT a requirement in storytelling.. but you have to give them something! A bit of tension and intrigue.
It's a shame because I can see what it wanted to achieve with its premise, but it feels stuck in the past while trying to use more modern tropes.
Still, it is entertaining enough, and provides spectacle-scenes so incredible anyone would be hard pressed to replicate them in such quality. The cast is okay, the locations good, great production, visuals and cinematography.
But a film has to be more than a few set pieces and scenes.. it has to work as a whole and be more than the sum of its parts.
It's a fact that not all previous entries have been stellar. So I'm somewhat sad this is how M. I. "ends".
And considering what it is, what came before it and the legacy it was meant to conclude.. I was expecting to be wowed! Not bored at the start, anxious for something to happen in the middle, and losing all hope to at least be surprised by the end.
It is almost 3 hours long, and the little that does happen, is buried between too much nothing. Awful pacing, dull and meanders dialogue that often goes nowhere nor builds-up to something, a completely dull villain and threat. And worse of all.. what is the point in a movie that constantly tells you exactly how it is going to go? And by virtue of being what it is, there is absolutely no mystery about its conclusion. Not playing with a viewer's expectation is NOT a requirement in storytelling.. but you have to give them something! A bit of tension and intrigue.
It's a shame because I can see what it wanted to achieve with its premise, but it feels stuck in the past while trying to use more modern tropes.
Still, it is entertaining enough, and provides spectacle-scenes so incredible anyone would be hard pressed to replicate them in such quality. The cast is okay, the locations good, great production, visuals and cinematography.
But a film has to be more than a few set pieces and scenes.. it has to work as a whole and be more than the sum of its parts.
It's a fact that not all previous entries have been stellar. So I'm somewhat sad this is how M. I. "ends".
1 hour less would have made Final Reckoning so much better
As both parts of the final film in the Mission Impossible franchise were shot back to back, I can't understand the marketing decision to release the 2 chapters 2 years apart. Having said that, the opening- again - was a masterpiece: fast, entertaining, suspenseful. What followed thereafter was 1 hour too long. They just stretched the final action scene endlessly and the White House/ Pentagon scenes were too pompous and too long. One could have made the film so much better and more entertaining by cutting A LOT of scenes. However the movie was still fun, but by far not the best of the series. All actors were excellent, the action scenes were the stars, as usual. Unfortunately many dialogues sounded like the were written by "the entity" aka KI.
Lame
Lamest movie in the series, if not ever! I unfortunately spent money in the theatre to watch this so waste of time as well as money! I don't even want to waste any more words writing this review but unfortunately cannot post this until and unless it contains three hundred words so to sum up... Lamest movie ever!
Big Stunts, bloated script - An uneven farewell
The Good:
There are two standout action set pieces here-masterfully shot, expertly choreographed, and absolutely worth the price of admission on their own. When Mission: Impossible leans into what it does best-practical stunts and high-octane tension-it soars. Tom Cruise once again gives it everything, backed by a stacked A-list cast that brings gravitas and charm to the chaos.
The Bad: Unfortunately, the film struggles under the weight of its own ambition. It's long, bloated, and paced like a slog. The exposition dumps are painful-overwritten, unnecessarily complex, and made worse by clunky dialogue that bounces awkwardly between multiple characters and locations mid-scene. It kills momentum and disengages the viewer. The villain is a caricature with little dramatic weight, and despite the runtime, there are surprisingly few action sequences compared to earlier entries. Instead, we get manufactured drama and overwrought tension that never really pays off.
The Verdict: This is still an entertaining ride, but one unlikely to earn many repeat viewings. Ghost Protocol, Rogue Nation, and Fallout remain the high watermark of the series. While Final Reckoning lands a jaw-dropping finale, the first half is too bogged down to call this a great send-off. A fitting end to an epic run-just not the ending it deserved.
The Bad: Unfortunately, the film struggles under the weight of its own ambition. It's long, bloated, and paced like a slog. The exposition dumps are painful-overwritten, unnecessarily complex, and made worse by clunky dialogue that bounces awkwardly between multiple characters and locations mid-scene. It kills momentum and disengages the viewer. The villain is a caricature with little dramatic weight, and despite the runtime, there are surprisingly few action sequences compared to earlier entries. Instead, we get manufactured drama and overwrought tension that never really pays off.
The Verdict: This is still an entertaining ride, but one unlikely to earn many repeat viewings. Ghost Protocol, Rogue Nation, and Fallout remain the high watermark of the series. While Final Reckoning lands a jaw-dropping finale, the first half is too bogged down to call this a great send-off. A fitting end to an epic run-just not the ending it deserved.
A goodbye that doesn't feel like one
Mission Impossible: The Final Reckoning serves as the grandest and boldest farewell to arguably the greatest action franchise of all time. Yet, it lacks a true sense of finality.
The film shoulders a colossal burden, attempting to deliver a worthy goodbye to Ethan Hunt and the iconic franchise. It aims to provide satisfying conclusions to a bloated roster of side characters while also setting up inevitable cash-grab sequels. Additionally, it strives to outdo every previous installment by going bigger and bolder than ever. While it excels in some areas, it falters in others.
One of the film's biggest challenges is managing its vast ensemble of characters. The script occasionally struggles to balance them all, resulting in scenes where some characters randomly appear and disappear, seemingly out of convenience rather than logic. This inconsistency can be jarring, pulling the audience out of the experience.
In typical Mission Impossible fashion, the film promises the most spectacular set pieces yet-and it delivers. These grand, meticulously crafted action sequences are thrilling to watch. However, their constant back-to-back presence somewhat dampens their impact. Once the audience becomes accustomed to the relentless spectacle, the element of surprise and tension starts to wane.
The stunts, while still impressive, carry a bittersweet note. Unlike previous installments where Tom Cruise's daring feats were fully captured on camera, this time around, roughly half of the action scenes rely on noticeable green screen effects. Though understandable, given Cruise's age and safety precautions, it slightly detracts from the visceral thrill of witnessing genuine stunts, making the danger feel less real.
Performance-wise, this installment shines, particularly with Angela Bassett delivering one of the most emotionally charged portrayals in the franchise. The script's emphasis on deeper emotions allows for some of the finest acting moments in the series.
However, the editing feels somewhat sloppy, giving the impression that substantial material was left on the cutting room floor. While the brisk pacing keeps the film engaging, it sometimes feels as if we're only witnessing the start and end of scenes without the journey in between, leaving a sense of incompleteness. The cutting is fast, but not in an exhilarating manner-instead, it's disorienting.
If this truly is the final goodbye to the Mission Impossible series, it's been an unforgettable ride. Despite its flaws, the franchise remains the pinnacle of action cinema in my book, and its legacy will undoubtedly endure for generations. I've said this before, and I'll say it again: we are witnessing a master at craft. Cherish it while you can.
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The film shoulders a colossal burden, attempting to deliver a worthy goodbye to Ethan Hunt and the iconic franchise. It aims to provide satisfying conclusions to a bloated roster of side characters while also setting up inevitable cash-grab sequels. Additionally, it strives to outdo every previous installment by going bigger and bolder than ever. While it excels in some areas, it falters in others.
One of the film's biggest challenges is managing its vast ensemble of characters. The script occasionally struggles to balance them all, resulting in scenes where some characters randomly appear and disappear, seemingly out of convenience rather than logic. This inconsistency can be jarring, pulling the audience out of the experience.
In typical Mission Impossible fashion, the film promises the most spectacular set pieces yet-and it delivers. These grand, meticulously crafted action sequences are thrilling to watch. However, their constant back-to-back presence somewhat dampens their impact. Once the audience becomes accustomed to the relentless spectacle, the element of surprise and tension starts to wane.
The stunts, while still impressive, carry a bittersweet note. Unlike previous installments where Tom Cruise's daring feats were fully captured on camera, this time around, roughly half of the action scenes rely on noticeable green screen effects. Though understandable, given Cruise's age and safety precautions, it slightly detracts from the visceral thrill of witnessing genuine stunts, making the danger feel less real.
Performance-wise, this installment shines, particularly with Angela Bassett delivering one of the most emotionally charged portrayals in the franchise. The script's emphasis on deeper emotions allows for some of the finest acting moments in the series.
However, the editing feels somewhat sloppy, giving the impression that substantial material was left on the cutting room floor. While the brisk pacing keeps the film engaging, it sometimes feels as if we're only witnessing the start and end of scenes without the journey in between, leaving a sense of incompleteness. The cutting is fast, but not in an exhilarating manner-instead, it's disorienting.
If this truly is the final goodbye to the Mission Impossible series, it's been an unforgettable ride. Despite its flaws, the franchise remains the pinnacle of action cinema in my book, and its legacy will undoubtedly endure for generations. I've said this before, and I'll say it again: we are witnessing a master at craft. Cherish it while you can.
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Did you know
- TriviaThe date that President Sloane sends to Admiral Neely, implying vast importance in the characters' lives, is May 22, 1996. This is also the release date of Mission: Impossible (1996).
- GoofsAs the lights go back on around the world, it is simultaneously nighttime in both the eastern and western hemispheres.
- Quotes
Luther Stickell: Our lives are not defined by any one action. Our lives are the sum of our choices
- Crazy credits[Netherlands theatrical viewing] Even before the first production/distribution company logos appear on-screen, the movie starts with a personal welcoming word by Tom Cruise himself, briefly mentioning the effort they put in making this movie and wishing the audience a happy viewing.
- ConnectionsFeatured in The Project: Episode dated 16 May 2025 (2025)
- SoundtracksMission: Impossible Theme
Written by Lalo Schifrin
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Misión imposible: Sentencia Final
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $400,000,000 (estimated)
- Gross US & Canada
- $197,413,515
- Opening weekend US & Canada
- $64,036,428
- May 25, 2025
- Gross worldwide
- $598,767,057
- Runtime
- 2h 49m(169 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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