In the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins ... Read allIn the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins questioning the reality of his emotions.In the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins questioning the reality of his emotions.
- Director
- Writers
- Stars
Daniel Booko
- Air Traffic Controller
- (uncredited)
Elliot Chenery
- Inmate
- (uncredited)
Jordyn Curet
- Vocalist - Youth Choir
- (uncredited)
Michaela Da Costa
- Inmate
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
An alright film, but seems they didnt know what they wanted this film to be.
Firstly, flawless acting performances from the main cast, you can see the emotions switch with the most subtle of facial changes. This film was just, okay. Not terrible, not amazing, just okay for Friday night viewing. But the makers seemingly didn't know what genre of film they were creating. It starts off all light hearted and you're lured into believing its a comedy, then you're fixed within a drama/thriller through the middle, only for it to end as a light hearted comedy in its climax?
Doesn't make the most of its riveting premise! [+52%]
Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.
A wasted premise
It was a good premise but it was executed in the wrong genre. I feel that this should have been a psychological horror.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
It felt like the idea and the tone of the movie weren't pulling in the same direction.
The actors' performances were ... Fine. They did the job but this wasn't a career defining role for anyone.
The final confrontation was emotionally lacking, I didn't feel danger for the "heroes" or any menace from the "villain". Maybe if the bad guy had any menacing vibes it would have elevated that third act .
I'm sad to see this movie, I'm sad to see the huge potential of the premise, the star power, the great production go to waste. It was a fun 2 hours but it left me with no desire to watch it again. It would have been a great black mirror episode.
Hell of a concept, but mediocre execution
Great acting performances by Teller and Hemsworth. A really intriguing concept with some charming scenes. Overall, not enough character development to really stir a lot of attachment. A relatively quick watch with decent returns.
You can tell this was adapted from a short story. At times, felt like a high school student meeting a words requirement for an essay.
The subject matter was intriguing and leverages several key human urges. It's easy to relate to in some ways, and the surrealistic backdrop provides nice entertainment.
I did like the tasteful tinge of humor. Just wish there was more meat to this meal.
You can tell this was adapted from a short story. At times, felt like a high school student meeting a words requirement for an essay.
The subject matter was intriguing and leverages several key human urges. It's easy to relate to in some ways, and the surrealistic backdrop provides nice entertainment.
I did like the tasteful tinge of humor. Just wish there was more meat to this meal.
Ok, but...
The premise is great but it could have done much more with these themes, being very predictable on his structure. Chris Hemsworth is great on this one and there is a fantastic soundtrack to listen. However, it feels much longer than it is, being a bit repetitive at times. There is a reasonable number of fun and inspired moments though.
Did you know
- TriviaRogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.
- GoofsThe 1969 Mercury Cougar had a windshield made from laminated glass (as mandated by FMVSS) and side windows from tempered glass . The laminated glass prevents the occupants from being thrown out of the vehicle in a frontal collision.
During the frontal collision with a tree, the windshield shattered into small pieces, and Jeff is thrown out of the car through the windshield. Jeff's face, arms, and shirt did not have any scratches. When Jeff was trying to rescue his girlfriend from the rear seat, he easily broke the rear side window, and the glass did not shatter into small pieces as the tempered glass was designed to do so.
- ConnectionsFeatures Joust (1982)
- SoundtracksThe Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
- How long is Spiderhead?Powered by Alexa
Details
- Release date
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- Also known as
- La cabeza de la araña
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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