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Get ready for the bell-Sydney Sweeney is about to land her first Oscar nomination. She delivers a mesmerizing performance, showcasing a remarkable range and hitting every emotional note with precision. It's the kind of work that lingers with you long after the credits roll. I rarely revisit films, but this is one I'll gladly experience again.

The acting by the British character actors were good. The dialogue was a little silly and sounded like it fit more into the 1930s and 40s era rather than 1958. The idea that mobsters, and especially a mob boss, could be as dense as this movie portrayed them made it all seem incredibly implausible. All that aside, it was enjoyable watching the tailor, er, cutter, in all of his scenes except the final, wildly ridiculous one. At least this film didn't include a Marvel character, a violent Oscar punching thug, or a woke binary MeToo it/us/we creep.

Seriously, what happened to Chris Pine's face? It looks like he's been overdosing on Botox. His face looks so stretched, plasticky and strange that it's distracting to watch him on screen. This film has all the old cliches that you could ask for. Covers no new ground and the performances are average. I can't understand why the d0uches who greenlight films keep churning out the same derivative crap that nobody pays to see, they simply download the torrents for free and kill ninety minutes of their mostly useless life.