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Wuchakk's profile image

Wuchakk

Joined Dec 2004
Write me at: dltoes@msn.com

My All-Time Favorite Movies: http://www.imdb.com/list/ls070122364/

Film Axioms:

  • No genre is beyond redemption or above contempt.


  • Just because a movie's good doesn't mean you'll like it; just because you like it doesn't mean it's good.


  • Italians have been making the worst movies for a hundred years.


  • Howard Hawks supplied the simplest definition of a good movie: "Three great scenes. No bad scenes."


  • Nine out of ten times when there's a bar scene in a movie there's a fight.


  • Every great auteur/actor has a bad or dubious film; but, remember, even God created the cockroach.


  • People who go overboard with criticism -- e.g. "This is the worst film ever!" or "I'd give this 0/10 if I could!" -- lose credibility as reviewers. The same goes with overrating a movie.


  • Honest reviewers must resist the influence of mass hype when a popular film debuts. Separating it from the initial epidemic fervor is mandatory in determining it's true worth. (Remember when Roger Ebert gave Peter Jackson's "King Kong" a perfect rating of 4/4 Stars? Why sure!).


  • Movies are life with the boring bits taken out.


  • A movie can be technically well-made, but void of depth. The reverse is also true: A movie can be technically deficient (usually due to low-budget), but thematically wealthy. Whereas the ideal is to have both, sometimes a movie's budget doesn't allow for top-notch filmmaking, but it can still soar in the realm of worthy mindfood. Some excellent examples from my reviews include "From Within," "Billy Jack" and "Tribes." Many episodes of the original Star Trek TV series are great examples as well, such as "Space Seed," "The Naked Time" or "The City on the Edge of Forever."


  • Movies must be critiqued and graded according to what they are and aspire to achieve. For instance, 1998's "Godzilla" is a colossal-creature movie and should therefore be reviewed on that level. Compared to the original "Apocalypse Now" it's dreck, but how does it stack-up to other gigantic-monster movies?


  • Reviewers who intentionally say false things about a film reveal a personal vendetta against it and lose all credibility as reviewers. Don't even give these types of "reviewers" and their "reviews" the time of day.


  • Movies are the modern-day campfire tales of centuries past. They entertain, amuse, inspire and mentor. Generally speaking, they provide the mythology that helps the modern world cope with reality.


  • I see a lot of reviewers giving movies 10/10 Stars or 1/10 Stars when, the reality is, most movies fall between 5/10 Stars and 7/10 Stars.


  • Disregarding profits, the main purpose of a movie is to entertain; the secondary purpose is to convey a message. The better the entertainment and message, the better the movie. The reverse is also true.


  • In 99 out of 100 movies, if something doesn't happen by the end of the first reel, nothing's gonna happen (at least nothing compelling, effective, original or inspiring).


  • Popularity at the box office is very important for people who's opinion of an artistic work needs validated by others (rolling my eyes).


  • A movie that doesn't do well at the box office isn't always an indicator that it's bad; it could mean something interesting is going on that's too far out of the norm for mass consumption. "Watchmen" and (believe it or not) "The Wizard of Oz" are good examples ("Wizard" bombed when it debuted in 1939).


  • Watching a movie is like seeing someone else's hallucination. You have to be willing to enter into the film's 'world' to appreciate it. If you can't, you won't.


  • The rating of a movie is irrelevant (G, PG, PG-13, R). Does more gore, more nudity, more cussing, more overt sexual situations determine the worthiness of a film? Maybe for 13 year-olds. Is "The Wizard of OZ" a lousy film because it's rated G? How about the original "Planet of the Apes"?


  • While good movies can be made with big budgets, big names, big stunts and incredible F/X, they can also be made with small budgets, creative writers & directors and no-name-but-quality actors.


  • No one sets out to make a bad movie.


  • It's always preferable to watch an entertaining mess over a competent bore-fest.


  • Art (including film) is not meant to be an imitation of reality, but rather an interpretation of it.


  • Never watch a movie starring Jean-Claude Van Damme.

=========================

RATING GUIDE:

10/10 Stars: A+ (Top-of-the-line)
9/10 Stars: A (Excellent)
8/10 Stars: A- (Breaks the threshold of greatness)
7/10 Stars: B+ or B (Very good or, at least, good)
6/10 Stars: B or B- (Marginal "thumbs up")
5/10 Stars: C+ or C (Too flawed to recommend, but some worthwhile aspects)
4/10 Stars: C or C- (Severely mediocre or flawed)
3/10 Stars: D+ or D (Cinematic flotsam)
2/10 Stars: D or D- ("Brain and brain, what is brain?")
1/10 Star: F (Worthless garbage for one important reason or another)

Note: Like everyone else, I tend to watch movies I think I might like, which explains my numerous positive ratings.

=========================

Favorite Film of All Time:

Apocalypse Now

TV Axiom:

  • Every ten years or so a TV show comes along that doesn't suck.

Badges6

To learn how to earn badges, go to the badges help page.
Explore badges

Ratings3.4K

Wuchakk's rating
Malatesta's Carnival of Blood
5.34
Malatesta's Carnival of Blood
Delusion
4.97
Delusion
The Child
4.96
The Child
Jane Got a Gun
5.96
Jane Got a Gun
Battle in Seattle
6.66
Battle in Seattle
An Unfinished Life
7.07
An Unfinished Life
The Spirit
4.73
The Spirit
Night of the Demon
4.76
Night of the Demon
Electric Dreams
6.46
Electric Dreams
Hide and Go Shriek
5.25
Hide and Go Shriek
The Diabolical Dr. Z
6.67
The Diabolical Dr. Z
Affliction
6.97
Affliction
Zuma Beach
5.26
Zuma Beach
Homestead
5.26
Homestead
The Hills Have Eyes
6.35
The Hills Have Eyes
Evil Breed: The Legend of Samhain
3.36
Evil Breed: The Legend of Samhain
Slaughterhouse Rock
4.56
Slaughterhouse Rock
Nightmare in Wax
3.97
Nightmare in Wax
Charlotte Gray
6.47
Charlotte Gray
The Shape of Things to Come
3.24
The Shape of Things to Come
Jekyll and Hyde
6.17
Jekyll and Hyde
Baffled
5.66
Baffled
Nothing But the Night
5.56
Nothing But the Night
Jurassic World: Rebirth
5.96
Jurassic World: Rebirth
The Possessed
5.35
The Possessed

Lists17

  • Marlon Brando and Martin Sheen in Apocalypse Now (1979)
    My All-Time Favorite Movies
    • 183 titles
    • Public
    • Modified Nov 02, 2025
  • Robin Williams in Dead Poets Society (1989)
    Best Dramas
    • 67 titles
    • Public
    • Modified Jul 02, 2025
  • Kevin Costner in Dances with Wolves (1990)
    Best Westerns
    • 93 titles
    • Public
    • Modified Jun 19, 2025
  • Marlon Brando and Martin Sheen in Apocalypse Now (1979)
    Memorable Movie Lines
    • 207 titles
    • Public
    • Modified Apr 09, 2025
See all lists

Reviews3.4K

Wuchakk's rating
Malatesta's Carnival of Blood

Malatesta's Carnival of Blood

5.3
4
  • Dec 14, 2025
  • Artistic no-budget flick shot at a near defunct carnival north of Philly

    Shot in late 1970, but not released until the spring of 1973, this indie combines elements of "Carnival of Souls" and "Night of the Living Dead" with bits reminiscent of "The Mansion of Madness," aka "Dr. Tarr's Torture Dungeon."

    There is a sense of low-budget macabre artistry with the amusement park "in its death throes" being the highlight, but the characters aren't fleshed out and so the story becomes tedious. Furthermore, plain Jane Janine Carazo is serviceable as Vena, but the production needed someone more alluring to keep the viewer's attention. The later "Closed for the Season" (2010) was shot at Chippewa Lake Park in northeast Ohio and had the same deficiencies.

    A decent indie of this sort is "Scream Park" (2012), which was shot at the old Conneaut Lake Park on the other side of Pennsylvania. "SideShow" (2000) is also worth checking out. The best examples of the genre include "Circus of Horrors" (1960) and "The Funhouse" (1981), which had way more money with which to play.

    It runs 1h 14m and was shot in Willow Grove, a suburb north of Philadelphia. The carnival basement sequences were done a dozen miles south in Germantown whereas the scenes of Vena running in the woods were filmed across the border in The Pine Barrens of New Jersey, which is about 45 miles to the east.

    GRADE: C/C-
    Delusion

    Delusion

    4.9
    7
  • Dec 13, 2025
  • People mysteriously dying at a mansion in SoCal

    When production began in 1979 the working title was "Trauma," but after shooting completed in 1980 it was released in some places as "The House Where Evil Lives" which is superior to its most well-known title, "Delusion" (you'll know why after seeing the film).

    It's a slow grind psychological thriller and murder mystery that could also be considered a prototype slasher in the tradition of "Psycho," but not "Halloween" or "Friday the 13th." The milieu is a wealthy old man's estate in the Los Angeles area reminiscent of the typical Columbo movie, yet the snooping detective element is small, similar to "Psycho."

    Patricia Pearcy plays the delicate redhead protagonist, who's mostly known for "Squirm" from several years earlier. Meanwhile Joseph Cotten appears as the rich old man at the age of 74 during shooting; it was his penultimate film (although he had a gig on TV's The Love Boat at the time as well).

    The 16 years-old grandson is played by John Dukakis, who happens to be the stepson of the 1988 Dem presidential candidate and was 21 years-old during shooting (although he passes for 16). He resembles the singer of Krokus, Marc Storace, albeit seven years younger. David Hayward is also notable as the somewhat arrogant family lawyer.

    It runs 1h 30m and was shot in Altadena, which is located northeast of Hollywood at the foot of the San Gabriel Mountains, just north of Pasadena. You can see the mountains in the background of one scene.

    GRADE: B.
    The Child

    The Child

    4.9
    6
  • Dec 13, 2025
  • A young woman is hired to take care of a strange child in rural SoCal

    Shot mostly at the end of 1973, this only cost $30,000 (which would be equal to $180,000 today) and wasn't completed until 1976 due to repeated delays, which explains its 1977 release date. The events take place in the 1930s, but it weirdly seems like the 1970s due to Len's haircut & apparel, as well as the noticeable prominence of the power lines, not to mention the protagonist (Laurel Barnett) and the girl (Rosalie Cole) smack of the '70s, dresses or no dresses.

    There's a quality creepy mood augmented by a notable discordant score that brings to mind "The Shuttered Room," just mixed with bits from "Terror at Red Wolf Inn," "Lemora," "Messiah of Evil" and "Night of the Living Dead." There's also a hint of telekinesis that precedes "Carrie" by 2.5 years (going by shooting dates, not release dates).

    All of the dialogue was dubiously dubbed in post-production, which adds to the off-kilter vibe of the proceedings. The special make-up effects are excellent, all things considered, but the last act becomes tedious with screaming Alicianne's all-around uselessness being unbelievable (think Barbra from "Night of the Living Dead"). A daring, independent woman like Alicianne would be tougher than that during the The Depression.

    Be forewarned, this ranks with the least of the movies mentioned due to its low-budget limitations, yet its sense of artistry is undeniable.

    It runs 1h 23m and was shot in Los Angeles County at Culver City, Montebello and Boyle Heights (the interiors of Mrs. Whitfield's house and the Nordon home) with the main outdoor location being the Standard Oil yard that's located on both sides of La Cienega Blvd in Ladera Heights, which is 8-10 miles southwest of Hollywood.

    GRADE: B-
    See all reviews

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