revparu
Joined Jul 2013
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Ratings55
revparu's rating
Reviews9
revparu's rating
Director Tharun Bhasker's greatest accomplishment is his never-ending drive to advance Telugu cinema from a technical standpoint.
It all started with Pelli Choopulu, and continued strongly with ENE. And now in Keeda Kola.
The color grading, cinematography, editing feel so familiar and instantly relatable. It's something only a few directors can pull off.
I have nothing much to say about the story or the screenplay itself. It's not memorable, just entertaining.
You can have a good time. But it's definitely not something that stands out, as it is with his previous two feature films.
Tharun has set a benchmark for indie, buddy comedy movies and he continues to surprise everyone with his casting decisions.
It all started with Pelli Choopulu, and continued strongly with ENE. And now in Keeda Kola.
The color grading, cinematography, editing feel so familiar and instantly relatable. It's something only a few directors can pull off.
I have nothing much to say about the story or the screenplay itself. It's not memorable, just entertaining.
You can have a good time. But it's definitely not something that stands out, as it is with his previous two feature films.
Tharun has set a benchmark for indie, buddy comedy movies and he continues to surprise everyone with his casting decisions.
It's rare to experience a movie like Oppenheimer in the contemporary Hollywood. This is Nolan at his best, using his experience in ways you'd never imagine.
You are immediately hypnotised by the chilling soundtrack of Ludwig. The visuals and the brilliant dialogue are breathtaking.
With a relentless pace that makes three hours go by inconspicuously. I somehow didn't realise how the last 30 mins of the movie passed by, and yet I felt like it could've used a few extra minutes.
Condensing a book like American Prometheus into a 3 hour movie is a great feat.
If this is Nolan's attempt at going for an Oscar, I wouldn't necessarily argue it. But I would add that this movie doesn't look like an Oscar bait. It's still got Nolan's touch.
You are immediately hypnotised by the chilling soundtrack of Ludwig. The visuals and the brilliant dialogue are breathtaking.
With a relentless pace that makes three hours go by inconspicuously. I somehow didn't realise how the last 30 mins of the movie passed by, and yet I felt like it could've used a few extra minutes.
Condensing a book like American Prometheus into a 3 hour movie is a great feat.
If this is Nolan's attempt at going for an Oscar, I wouldn't necessarily argue it. But I would add that this movie doesn't look like an Oscar bait. It's still got Nolan's touch.
I can't speak for the TV show fans who haven't played the game, but I felt this episode and the finale was rushed and they didn't allow enough time for the characters to develop more.
It feels kinda odd that they kept lengthy episodes in the first half of the season, especially for Bill's episode, which doesn't contribute to the main story in anyway.
And as they approached the finale, I felt like they had their hands tied by limited budget and as if they had used up all the screen time.
Other than that, this is still a wonderful episode and easily one of the best in season 1.
I hope the creators take this feedback and make season 2's episodes lengthier.
I can't wait to see Abby.
It feels kinda odd that they kept lengthy episodes in the first half of the season, especially for Bill's episode, which doesn't contribute to the main story in anyway.
And as they approached the finale, I felt like they had their hands tied by limited budget and as if they had used up all the screen time.
Other than that, this is still a wonderful episode and easily one of the best in season 1.
I hope the creators take this feedback and make season 2's episodes lengthier.
I can't wait to see Abby.