vishalmellark
Joined Jul 2013
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Ratings950
vishalmellark's rating
Reviews48
vishalmellark's rating
Strong start to the movie wasting no time with extensive intro's for the heroes. It just felt enough to see how these 4 are as the family. VFX is cheesy but it is acceptable because , I actually bought that they did purposefully mediocre because of the time period they set it in. Pedro pascal led team is good. Julia garner is fantastic with her limited screen time. Hopefully they'll bring her character back. What doesn't work is the sue storm vs galactus. I wish the gigantic cosmic entity had more to do. His presence when the gang first meets him was stunning on that big imax screen, I wish they capitalised on that. The post credits scene , yes the mask guy in black cape ... is top tier. Brilliant direction choice.
This movie is definitely not a bad movie. Not fantastic either. It's aiming for greatness but it only reached what Johnny storm reached on his first meet with silver surfer.
I am super hyped for the doom that the baby is going to bring to the avengers and to their universes ( 828) (616) .
This movie is definitely not a bad movie. Not fantastic either. It's aiming for greatness but it only reached what Johnny storm reached on his first meet with silver surfer.
I am super hyped for the doom that the baby is going to bring to the avengers and to their universes ( 828) (616) .
Ranbir Kapoor's introduction as a "superstar" in the film initially raised skepticism for me. However, as I reached the halfway point, it became evident that he truly deserved the title.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.