DiamondOzMU

I'd had this film on my watch list for quite a while as the premise sounded intriguing and from what I know about Bella Thorne, she's keen on artistic risks. While it was intriguing, it certainly wasn't worth the wait.

There are plenty of interesting ideas on offer, but several are under utilised or forgotten about. There's artistic flare at times, reminiscent of other recent horror such as Censor and, to a lesser extent, Saint Maud, but frankly the film is put together so sloppily that these are few and far between. For example, about ten minutes or so into the film, we're introduced to Frank Whaley's character, and it seems like we're suddenly getting a dynamic akin to Griffin Dunne in An American Werewolf in London, but the film soon gets bored of that.

Bella Thorne was fine as the titular Clare, and Whaley isn't bad either, but the rest of the cast felt either limp, hammy or in Ryan Phillipe's case, wooden. These performances, coupled with predictable twists and haphazard editing and directing create something held together with tape rather than superglue and it comes close to falling apart completely.

I really wanted to like this film after waiting for so long, and while I didn't hate it, it falls into the category of forgettable films like The Night House.

Over the years, there have been a few attempts to bring film and wrestling together. While this has resulted in modern favourites such as The Wrestler or The Iron Claw, there have also been some real stinkers, such as Death From Above. There has also been a few attempts to mesh wrestling and horror together too, which yields mixed results in the world of professional wrestling and thus far has provided little entertainment on film, but Dark Match proved to be a step up from the likes of Pro Wrestlers Vs Zombies.

First and foremost, there's some decent acting in this movie, with Steven Ogg once again stealing the show. Very few actors become successful after starring in a video game, but since his infamous role as Trevor in Grand Theft Auto V, he's made the most of every opportunity he's given to display his versatility, even in roles such as this where's if anything, he's the anchor that keeps the viewer, especially wrestling fans, grounded. Elsewhere, Chris Jericho, who isn't the greatest actor in the world but always understands the assignment, does a perfect job as the villain, falling somewhere between Linus Roache's performance in Mandy and Gene Simmons in Never Too Young To Die, giving us a solid mix of cult and camp.

While it's an enjoyable film that has some Easter eggs for fans, it is nonetheless predictable and at times a little flat. In particular our heroine, Miss Behave, feels less like the badass they attempt to portray her as, and more grumpy. Ayisha Issa may also be best known for her role in a video game (namely Fliss from Man Of Medan,) but she feels more real in that role, ironically. She doesn't do a bad job here, but the character itself feels a bit cookie cutter. I won't spoil the ending, but I think I audibly said, "Oh, they're going with this?" which left me a little disappointed.

All in all, Dark Match is a fun way to spend an hour and a half, with plenty of violence for horror fans and insider terms and a good adaptation of the grappling itself to please wrestling fans. Worth a watch if you just want to be entertained.

There will no doubt be some people who saw the trailer for Heretic and thought, "People being held against their will? I've seen that a hundred times now," but that's just the thin wrapping paper that covers this intricate puzzle box.

Enormous credit goes to the writers who played such a big part in making this film so refreshing. Rare is it that characters, who would be easy to be two dimensional, in a premise like this feel so human. From the way the discussions the missionaries have together, to the intricate details the viewer may have thought were ignored, it's all covered so well. Sophie Thatcher and Chloe East are excellent in their roles, being friends who outside of their faith, may not have forged a relationship at all, with their respective cynicism and naivety both being fleshed out. Unsurprisingly, Hugh Grant steals the show with his brilliant performance as a rational thinker who goes to irrational lengths. He's so disarming and so... Hugh Grant, that there are numerous times one can't help but smile, even as things take a turn for the worse, demonstrating how everyday monsters use their charm to do terrible things.

It also makes a nice change to feel genuinely tense and worried for the characters, instead of because you're expecting a jump scare. The atmosphere is superbly woven and its clever intricacies leave the viewer constantly wondering what's to come.