SoumikBanerjee1996

From the very dawn of "Art," whether through literature, illustrations, or modern motion pictures, "Motherhood" has consistently been celebrated as a sacred stage of life. It's often viewed as a panacea for marital woes, or for couples drifting apart from each other, yet we rarely delve into the darker aspects of this 'revered' phase.

The less discussed elements of this celebrated "Equation" reveal how women, as opposed to what general consensus might suggest can lose their rationality and spiral into an unfathomable madness. They may find themselves detached from their identity and, tragically, unable to care for both themselves and their newborns, all due to the overwhelming weight of stress, fear, and, worst of all, a lack of communication and companionship.

And I feel "Die My Love" encapsulates this 'unpopular' side of the motherhood with remarkable depth and clarity.

Not to mention, Jennifer Lawrence's stunning performance brings to life the character of Grace, a once aspirational, lively woman grappling with the unbearable realities of her postnatal phase. We witness her relentless battle to function, to connect with others, and, hauntingly, to silence the intrusive thoughts that threaten her safety as well as her child. She delivers a performance that is not only materialistically compelling but also deeply resonant on an emotional level.

Hats off to the writers and director, who blame the circumstances and events that contribute to the chaos. Neither the innocent infant nor Grace's husband or his family are painted as so called antagonistic figures here and this thoughtful approach more so grounds the story, making it all the more impactful and true to life.

While there are some intriguing elements incorporated in this vampire origin story, particularly the transfusion aspect, my primary complaint lies in the insufficient development of the characters, which made it hard for me to connect with them on a personal level.

I found it challenging to stay engaged with the unfolding events, as I simply didn't care about any of the characters or their journey for that matter and nor did I find the storyline compelling enough to hold my interest.

The only standout aspects were the notable makeup and the use of practical effects; however, these constituents alone couldn't compensate for the shortcomings inherently present in the script.

From the very beginning, the writing makes a concerted effort to delve deep into the characters' psyches. It seeks to explore the pain and lingering recollections of a past long buried, memories that continue to haunt the group of protagonists and hinder their ability to function effectively at both their personal and professional podiums.

While there was a clear intention to navigate the complex waves of guilt and grief, the execution fell short of providing the emotional allure here. The writing began with a subtlety that persisted throughout the entire piece, it never dares to breach its walls of safety, so to speak, leaving the moments of ultimate realisation and closure feeling rather muted, at least for me.

Now I do appreciate the flow of the narration, and the characters certainly spark interest with their commendable actions. However, I found it difficult to form a genuine attachment to their struggles. I couldn't immerse myself enough to truly root for them or their journey toward reconciliation.