SoumikBanerjee1996

The film bursts with a raw, unrestrained energy from the get-go, characterised by its ever-moving frames and fleeting, transitory shots, they might put some of the viewers at unease but they were without a doubt essential elements for survival dramas like this.

That said, I find the background score, composed by none other than Mr. A. R. Rahman, to be a bit overwhelming and overly adventurous for my preference; the frequent shifts in tonality did not sit well with me!

Franco's dedicated portrayal of Aaron is what stood out, especially in how his character evolves; from one careless, indisciplined individual to a stringent, spirited fighter clinging on to his life, refuting to give up, inspirational for sure.

"Fat Girl" diverges heavily from the conventional coming-of-age stories, serving instead as a thought-provoking commentary, a critique on pervasive influence of patriarchy woven right into the fabric of our society.

It articulates its messages primarily through the representation of female bodies, their sexuality, particularly that of young individuals who have recently entered puberty or soon going to.

Whilst one might find elements of this portrayal problematic, some may find it provocative, it is undeniable that the starkness of the film's central themes may unsettle a significant portion of the audience.

Regardless, what resonated with me tne most was the meticulous as well as dedicated development of the sibling relationship, characterised by a neatly balanced blend of affection & jealousy.

I also like to commend the story for establishing a clear demarcation between 'Consent' and 'Coercion', pertaining to intimacy and pleasure; an essential topic that warrants more frequent discourse in my opinion.

Having said that, I believe it would have benefited from a longer runtime, as the screenplay at times feels hurried and underdeveloped in certain portions.

A few additional minutes could have significantly enhanced the final impact.

I found presentation of 'Intermediary Proceedings' to be quite compelling, particularly the depiction of the relay service and the intricacies involved in this whole 'brokerage' business.

And this intrigue was largely due to the meticulous attention to detail in the writing, aided by energetic background score and a subtle yet effective lead performance from main character, Ash, portrayed competently by Riz Ahmed.

I did yearn for additional dramatization and more pronounced human element, but it is understandable why such an approach was not endorsed.

The unexpected 'revelation' in the climax clarified the rationale behind this choice. Twist was commendable, thanks to its appropriate timing and efficacy.

However, my primary criticism lies in the inconsistent pacing and the script's frustrating tendency to slow down at regular intervals.

The shortcomings in the editing dept. Also warrants attention, as I believe that a faster, more precise cut would have considerably enhanced the film's legibility, especially given the themes it aspired to explore.

Overall, I appreciated the film for what it offers. I would definitely categorize it as a slow burn though, which may not resonate with all sorts of audiences.