SoumikBanerjee1996

"Under the Shadow" is an audacious amalgam of symbolic and psychological horror that, while effectively establishing its foundation ultimately falls short in fully realising its inherent ideas and their respective potentials.

Quite disheartening, because Babak Anvari as the writer-director, demonstrates a clear proficiency and understanding of the craft. With a bit more depth in the write-up, the narrative and its implications could have had a superior stage to convey its messaging.

I would like to begin by expressing my appreciation for the cinematographic work and the thoughtful selection of locations.

They significantly enhance the visual artistry, not only evoking a profound sense of melancholy but also revealing underlying dourness that permeates the narrative.

The dialogues, rich with philosophical implications pertaining to one's identity sexuality, and the moral complexities of forbidden attractions, are definitely commendable.

However, though I admire the creative vision, I find the theatrical presentation somewhat limiting.

This approach tends to overshadow and undermine the intricate essence of the script which detracted me from the fruitful experience I was hoping, as I felt a lack of emotional and dramatic resolution, which diluted my overall experience.

"Saiyaara" certainly has its shortcomings and, like any other film out there, it comes with its own baggage of flaws. However, labelling it as outright one 'terrible' or 'cringe-worthy' film feels like an exaggeration and an unfair assessment as well.

I admit, there are several elements that could have benefitted from deeper exploration, such as the dynamics within the band, Vaani's family struggles, and Krrish's strained relationship with his father.

Despite these gaps, the film resonates remarkably well, and this can be attributed to a strong emotional narrative at its core, which is woven seamlessly throughout the story.

Which is further enhanced by an engaging background score and few beautiful songs; "Dhun," "Barbaad," and the "Saiyaara" title track, all of which I wholeheartedly cherished.

These musical elements not only uplift the film's inherent spirit but also play a critical role in conveying various scenes and emotions; removing the music would significantly diminish their impact.

And last but not the least, the chemistry between the lead pair works beautifully and both actors deliver commendable performances.

Whilst Ahaan displayed some rough edges in some scenes, Aneet consistently struck the right chords from start to finish. For a debutant, acting for the very first time in a feature film, her performance has indeed left a lingering impression.