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ms-oomen

Joined Feb 2014
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ms-oomen's rating
The Upper Footage (UPPER)

The Upper Footage (UPPER)

4.9
10
  • Mar 1, 2014
  • A fascinating film that effectively blurs the lines between reality and fiction.

    The Upper footage is a movie that blurs reality and fiction. It reminds us the monsters are not always scary men lurking in dark shadows, nor are they the creatures of childhood nightmares, more likely they are the people we may think we aspire to, who maybe we all could too easily become. It is a riveting story of an all too familiar reality, that is so believable director Justin Cole was able to use the real media to help further blur the lines we cling to in order to feel safe as we sit back and get our fill of our favorite genre.

    The film is billed as being an edited 90 version of 393 minutes of found footage covering the events of one night in the lives of a group of affluent young socialites. It is a story of privilege, money and affluence gone horribly wrong. We watch as this group shows their colors, in overindulgent petty behaviors that eventually lead to an accidental death and that's where things get really interesting.

    So many things about The Upper Footage are done incredibly right. Justin Cole starts with a story that we have all heard, and gives us an all access pass to the entire event. That in itself wouldn't mean much if the acting was flat, or if the dialogue felt scripted. Somehow, everyone comes together to make this feel very organic, lending incredible believability to the film. The marketing is another point that needs to be mentioned as Justin Cole effectively used our ceaseless desire for dirty news via tabloid TV, getting shows like Entertainment Tonight to bite on the "leaked footage" resulting in a blurring of the lines between art and reality. He further plays into that gray area, by not naming any of the actors involved in the film and has even pixilated his own image on the net, giving a true air of mystery to the entire production, and leaving you questioning what you just watched.

    I found that all of this played together beautifully well. I was beyond impressed with The Upper Footage and would highly recommend you take the time to check this film out. The film shows how effective the found footage genre can be. It pushes boundaries, and our sensibilities by taking it to the ugly but real conclusion. This film had me literally shaking with anxiety for a moment at the end, I have never before had such a reaction to any film I have watched and I promise there have been a lot. I am already looking forward to what Mr. Justin Cole has in store for us next!
    My Name Is 'A' by Anonymous

    My Name Is 'A' by Anonymous

    4.9
    9
  • Feb 19, 2014
  • Beautifully Haunting film that forces introspection, with its stark realism, a fantastic offering by Shane Ryan..

    Where does one even start with a film such as this? I guess the first business at hand is this is not the typical horror film, although it is horrific at points in its own way. This is not a "for fun" film, you wont be popping up some corn and plopping down in your favorite chair and settling in for a good time. Instead you will be drawn into a strange dreamy harsh experience, that will captivate and move you, sometimes in ways you may not like. And one more word to the wise this is not a film that impressionable children need to be around, I was warned and appreciated the heads up once I watched so I extend the same to you. 

    Shane Ryans film is loosely based on an actual murder case, involving the death of 9 year old  Elizabeth Olten, at the hands of her neighbor (also a child of 15  when she murdered Elizabeth) Alyssa Bustamante. That being said this  film is not the typical "based on" movie, it doesn't try to follow the the "facts" of the crime per Se, it includes a few points but the film isn't a direct interpretation of the crime itself, more of a slice of life look at the society that may have helped create the situation internally that led to the act.  

    The film follows Bustamante and "The Sidekick", as they torment her little brother, video tape themselves in various angry teen-aged moments, including scenes of self mutilation in the form of "cutting". However they are not the only characters we watch. There are a several other key players including "The Angst" and "The Performer". It is at times almost difficult to watch but yet stunningly beautiful all at once. It is a film filled with a sad stark reality of mental illness, cruelty, anorexia, isolation, despair, rape and murder. There are moments when the reality of the film is so gripping its hard not to turn away. on occasion I felt almost as though I was peeking through someones window watching their pained lives unfold, which is a credit to both the acting and the directing of this film. 

    Please do not get me wrong, I think this is a BRILLIANT film. It does what it is meant to, it makes you think, it creates a conversation, and it most definitely stays with you.  Shane Ryan creates a beautifully haunting film.  The cinematography is stunning, Shane Ryan finds a sad strange beauty in a very morose macabre subject. Its dreamy, and ethereal, in a nightmare sort of way. The score is absolutely amazing, and lends itself to the very  strong mood to the film.  Whatever budget Mr. Ryan had he used extremely well, as the film looks and feels much more produced than I am sure the budget would suggest. 

    This is a film that will haunt you with its realism, if you feel nothing while watching this then someone needs to call 911 because you are dead inside. I highly recommend this film if you are looking for something outside the normal horror genre to watch, or if you are a fan of "arthouse"  films. It truly is a work of ART, a film of macabre beauty, hats off to you Shane Ryan!

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