woodwotherinstonhaugh
Joined Mar 2014
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Reviews1
woodwotherinstonhaugh's rating
Mr. Freeling, Producer of the Bugs cartoons in their most classic era, believed there were two basic dramatic types: Identification Characters (Porky, Elmer Fudd ) and Aspiration Characters ( Bugs, and...Yosemite Sam? Hmmm...). Bugs as we know is a supernatural Being, with powers ordinary rabbits or humans do not have. In this movie he encounters another such Being, the Gremlin. But the Gremlin is even more Elemental than Bugs---he's a sort of Primordial Force of Destruction.Its not that he hates anybody; its his job, and he does it well, like James Bond. Right at the outset of the Bug/Gremlin collaboration the little guy says that you have to hit Blockbusters just right; Bugs, with his typical streetwise sangfroid says, "Yeah?" but instead of the usual blowing off of the other character, the Gremlin even more authoritatively replies "YEAH!" and makes it stick. From then on, the Gremlin is in charge.
For another Bugs-Tables-Turned storyline, see the one with the Lion ( married to Hortense ): "I gotta go Mr. Bunny; sorry I can't stay and Kill you."
But for me the most important and intriguing detail of the cartoon is during the sequence with the Blockbuster Bomb, when the music distinctly plays the phrase "I'll Take Manhattan." This was 1943, remember, and the Manhattan Project was top secret.
For another Bugs-Tables-Turned storyline, see the one with the Lion ( married to Hortense ): "I gotta go Mr. Bunny; sorry I can't stay and Kill you."
But for me the most important and intriguing detail of the cartoon is during the sequence with the Blockbuster Bomb, when the music distinctly plays the phrase "I'll Take Manhattan." This was 1943, remember, and the Manhattan Project was top secret.