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asherlines

Joined Mar 2014
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings253

asherlines's rating
Carry-On
6.55
Carry-On
The Wolf of Wall Street
8.29
The Wolf of Wall Street
Into the Wild
8.07
Into the Wild
Pirates of the Caribbean: The Curse of the Black Pearl
8.17
Pirates of the Caribbean: The Curse of the Black Pearl
Spotlight
8.17
Spotlight
Ratatouille
8.17
Ratatouille
Gone Girl
8.17
Gone Girl
The Grand Budapest Hotel
8.18
The Grand Budapest Hotel
Mad Max: Fury Road
8.17
Mad Max: Fury Road
Million Dollar Baby
8.17
Million Dollar Baby
Gran Torino
8.17
Gran Torino
Catch Me If You Can
8.17
Catch Me If You Can
Trainspotting
8.17
Trainspotting
Raging Bull
8.19
Raging Bull
V for Vendetta
8.17
V for Vendetta
Lock, Stock and Two Smoking Barrels
8.17
Lock, Stock and Two Smoking Barrels
A Beautiful Mind
8.27
A Beautiful Mind
Pan's Labyrinth
8.27
Pan's Labyrinth
No Country for Old Men
8.28
No Country for Old Men
Shutter Island
8.27
Shutter Island
The Father
8.27
The Father
The Truman Show
8.27
The Truman Show
Snatch
8.27
Snatch
Up
8.38
Up
Lawrence of Arabia
8.38
Lawrence of Arabia

Lists1

  • Georges Méliès and Marguerite Thévenard in The Kingdom of the Fairies (1903)
    Best films from each decade
    • 14 titles
    • Public
    • Modified May 29, 2017

Reviews7

asherlines's rating
The Lost Daughter

The Lost Daughter

6.7
6
  • Jan 8, 2022
  • A character study where you provide the answers

    The Lost Daughter, written and directed by Maggie Gyllenhaal is an evocative portrait of motherhood. The main character, Leda, is reminded of the past when she visits Greece. Her struggles with motherhood become the theme of the film.

    Olivia Coleman provides fantastic acting; something which is vital for this character study to work. Also, Maggie Gyllenhaal's directing is very impressive for a first-time director.

    Gyllenhaal decides to interweave the present with the past in a series of poignant flashbacks that reveal a little at a time. This film is a mystery since it's a quest to understand Leda's intricacies and wounds.

    The film focuses on a theme which hasn't been on the big screen enough (motherhood difficulties). It will bring up a lot of philosophical questions for the more thoughtful viewer.

    However, the plot is underwhelming, especially in the last act. Certain aspects of the story world never build to anything big.

    Also, the film doesn't answer many of the theme related questions it brings up. Leda's intricacies are never concretely explained.

    This will leave some people like myself with the irritating question of 'so what?' at the end while other people will find their own answers and won't mind a few unanswered questions to meditate on.

    This film is more about the theme than the plot. It's a character mystery which doesn't provide all the answers. It requires focus. If that sounds good, give it a go.
    The Decline

    The Decline

    6.0
    5
  • Dec 29, 2021
  • Excellent first half, disappointing second half

    Moonlight

    Moonlight

    7.4
    7
  • Nov 3, 2017
  • This film isn't for everyone. Go into it knowing what to expect.

    It seems most reviews for this film are split. I'm not gonna exaggerate to stand out but rather give a balance between why some people might not like and why others will love it.

    As has been the case before with previous Oscar Best Picture winners, this film has the critics and the public slightly divided, with critics giving huge praise compared to most of the public, who see it as nothing more than a 'good' film.

    To me, Moonlight was unsatisfactory on first viewing since I was expecting a big climax near the end as it is with most films. Instead the film is more subdued and should be seen this way to truly appreciate the little things that make this film stand out.

    It's obvious from numerous awards and nominations for directing, acting, music, etc. that the crew and cast are something to be admired. However for a non-critic for the most part these will not be noticed (except perhaps the standout acting) since they're done very subtly as to serve the style the director was going for.

    Some will say this is a film about nothing, a film in which the main character and the story doesn't change. I can see why people think this. Perhaps the best way to approach this film is to expect exactly this, but to also see it for what the film really is; a portrayal of the everyday difficulties with family, friendship and love of a black man growing up in Miami. Nothing more, nothing less.

    It's a beautiful film if you sit back and give into it. It's not supposed to be grandiose and epic. And I'm sure that by rewatching it you will enjoy it a lot more. It makes you think and relate, as well as giving you an understanding of a different world for most of it and it's just these kinds of films that aren't for the people expecting a thrill but rather those who admire the little details and slightly unusual scope of the film.
    See all reviews

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