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bnsw19

Joined May 2014
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings29

bnsw19's rating
The Captain
7.39
The Captain
Hive
7.16
Hive
Marketa Lazarová
7.810
Marketa Lazarová
Glass Onion
7.11
Glass Onion
Everything Everywhere All at Once
7.84
Everything Everywhere All at Once
StartUp
7.84
StartUp
Pro Rata
8.41
Pro Rata
Red Sparrow
6.63
Red Sparrow
Jellyfish
7.28
Jellyfish
Ava
5.52
Ava
High Life
5.75
High Life
Elle
7.12
Elle
Booksmart
7.12
Booksmart
To the Ends of the World
6.38
To the Ends of the World
Mother!
6.62
Mother!
Away We Go
7.04
Away We Go
Three Billboards Outside Ebbing, Missouri
8.18
Three Billboards Outside Ebbing, Missouri
Brimstone
7.03
Brimstone
8 Women
7.01
8 Women
Biutiful
7.49
Biutiful
On Body and Soul
7.58
On Body and Soul
The Good Thief
6.43
The Good Thief
The Search
6.88
The Search
In the City of Sylvia
6.82
In the City of Sylvia
Blade Runner 2049
8.03
Blade Runner 2049

Reviews20

bnsw19's rating
Glass Onion

Glass Onion

7.1
1
  • Jan 29, 2023
  • So clever and yet so tedious.

    This is a remarkable film for succeeding in bringing together great actors around a mediocre script and an unoriginal idea. The film is too clever by halves. It has no soul. It's all style over substance. The setting is glitzy, brash and vulgar. It is form without content. Gosh, I absolutely loved the old Agatha Christie whodunnits with Hercules Poirot et al that this and Knives Out are obviously an homage (of sorts) to - they had charm and wit and panache, but this is just surface gloss. My wife walked out after 20 minutes but I stuck it through, thinking it had to get better... but it didn't. The problem is: one doesn't care. Not for any of the characters. They're two-dimensional. Sterotypes. I think I can just about remember the unoriginal ending but I hope to forget to all soon...
    Everything Everywhere All at Once

    Everything Everywhere All at Once

    7.8
    4
  • Sep 14, 2022
  • Brilliant and boring

    That just about sums it up. Wonderfully acted and directed and shot but I was just bored throughout. It might be the multi-universe thing - how implicated can we be if 'nothing matters'? How can we care about a character if the character is one of thousands of versions of themselves? How can we bothered how a story ends or whether someone dies or not if all possible endings exist in the totality of universes? Well, we can't. And who was 'the baddie' and why were they trying to take over the world (or whatever it was they were trying to do or for whatever reason they had to be fought)? I don't know. As a philosophy BA and a lover of 'boring' films - Antonioni, anyone? - I had great expectations for this one but they simply weren't met.
    StartUp

    StartUp

    7.8
    4
  • Oct 3, 2021
  • Season one: spoiled by the excessive product placement

    I got no further than the end of season one. The product placement is so in your face, so blatant, so prolonged, so protracted, so annoying, so tedious, so unsubtle, so relentless (a bit like this sentence) that it began to interfere with the story. Do father's and daughters really drink beer for breakfast? Only if it's Heineken and the camera can linger on the many bottle angles (label always visible) for ages. Is the bride really afraid of smelling? Only so she can roll Sure under both armpits with the label perfectly directed at the camera. Etc. I felt I was being sold to all the time and the product placement interfered with the story. By the end, it felt offensive.
    See all reviews

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