singakd
Joined Nov 2014
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Ratings257
singakd's rating
Reviews51
singakd's rating
It's beyond appalling that this is a true documentary-where the perpetrator walks free, protected by allies who ignored the facts and watching people rally behind him despite overwhelming evidence was infuriating. The sentence he received wouldn't be out of place for petty theft in some countries. You don't need to be a feminist to empathize with a domestic abuse victims-you just need to be human.
The documentary lays out the statistics, body mass comparison, autopsy details-information so clear even a child could grasp the truth. Yet justice was denied, and the media failed spectacularly. Instead of spotlighting the facts, they let the story be buried under sensationalism and bias. It's a damning reflection on both the system and the press.
Only one journalist in the show pursued real investigation and truth. The rest should be ashamed-but that assumes they still possess the capacity for it. This documentary isn't just about one tragedy-it's about the collapse of basic human rights and the institutions meant to protect them.
The documentary lays out the statistics, body mass comparison, autopsy details-information so clear even a child could grasp the truth. Yet justice was denied, and the media failed spectacularly. Instead of spotlighting the facts, they let the story be buried under sensationalism and bias. It's a damning reflection on both the system and the press.
Only one journalist in the show pursued real investigation and truth. The rest should be ashamed-but that assumes they still possess the capacity for it. This documentary isn't just about one tragedy-it's about the collapse of basic human rights and the institutions meant to protect them.
I absolutely loved the opening scene - it immediately sets the tone, with a strong sense of bonding between the men. It's a little cheesy, but it feels genuine, capturing the brotherhood that's so relatable and essential to their story. The entire movie revolves around a single mission, keeping the narrative tight and focused, which works brilliantly.
The acting is phenomenal across the board. With so many cast members moving and evolving within such a small, confined space, it's incredible how each one leaves a lasting impression. Cosmo Jarvis as Elliott Miller and Joseph Quinn as Sam truly embody the wounded soldier - their performances are raw, heartbreaking, and so real that I found myself tearing up, knowing the inevitable fate that awaited them.
Though the movie is short, every scene is captured with breathtaking care. Every moment feels purposeful, artfully portraying the tension, stress, and sheer survival instincts our troops experience - many of them just young boys. What makes Warfare even more powerful is that it avoids the over-the-top, gimmicky war tropes. Instead, it feels authentic, respectful, and clearly influenced by real veterans who know what true warfare looks and feels like.
This movie deserves Oscars and so much more. It's an absolute masterclass in war storytelling, and I can't recommend it enough.
The acting is phenomenal across the board. With so many cast members moving and evolving within such a small, confined space, it's incredible how each one leaves a lasting impression. Cosmo Jarvis as Elliott Miller and Joseph Quinn as Sam truly embody the wounded soldier - their performances are raw, heartbreaking, and so real that I found myself tearing up, knowing the inevitable fate that awaited them.
Though the movie is short, every scene is captured with breathtaking care. Every moment feels purposeful, artfully portraying the tension, stress, and sheer survival instincts our troops experience - many of them just young boys. What makes Warfare even more powerful is that it avoids the over-the-top, gimmicky war tropes. Instead, it feels authentic, respectful, and clearly influenced by real veterans who know what true warfare looks and feels like.
This movie deserves Oscars and so much more. It's an absolute masterclass in war storytelling, and I can't recommend it enough.
I want to start by saying-I don't watch every Indian movie or show out there. I'm selective. I gravitate toward raw, genuine storytelling, not the kind that feels like a nepo-kid agenda wrapped in flashy, crass item songs. That said, even with my curated watchlist, I often stumble across lost causes-shows that either start strong but fall flat midway, or ones that never had enough substance to begin with.
But Khauf? Khauf was an extremely pleasant surprise.
Like many Indian viewers, I've been yearning for authentic horror-not the recycled jump scares or over-the-top CGI gimmicks. I even appreciate horror-comedy when it's done right, but let's be honest-too many filmmakers lately have taken giant missteps in that lane (BB2 and BB3, anyone?).
Khauf, however, gets it right. Yes, there are minor loopholes, but they're completely forgivable because the show delivers on the big things: Storyline - Gripping from start to finish.
Acting - Absolutely stupendous.
Cinematography - Captivating and immersive.
Audience engagement - Top-tier.
Even my partner-who is super critical of horror shows because they rarely live up to their promise-couldn't stop binge-watching. We wrapped it up in two days.
But Khauf isn't just about spirits or horror tropes-it's layered. It weaves horror with social commentary, especially on the kind of harassment women face every day. When my partner said, "Some of this harassment seems exaggerated, no?"-I had to tell him: "Absolutely not. While all of it might not happen to one woman, nearly every woman has experienced at least something from this-and it's not just an Indian issue. It's a global one." So, to keep this short: I highly recommend watching Khauf. Even if you're not a horror fan, the storytelling will keep you hooked.
Huge shoutout to the cast-stellar performances across the board. The casting director deserves an award. Special love to: Monika Panwar (Madhu) - Her emotional range and character growth were a masterclass. She deserves a standing ovation.
Rajat Kapoor (Hakim) and Abhishek Chauhan (Arun) - Equally brilliant.
Here's wishing this entire team the recognition and success they truly deserve. Bravo!
But Khauf? Khauf was an extremely pleasant surprise.
Like many Indian viewers, I've been yearning for authentic horror-not the recycled jump scares or over-the-top CGI gimmicks. I even appreciate horror-comedy when it's done right, but let's be honest-too many filmmakers lately have taken giant missteps in that lane (BB2 and BB3, anyone?).
Khauf, however, gets it right. Yes, there are minor loopholes, but they're completely forgivable because the show delivers on the big things: Storyline - Gripping from start to finish.
Acting - Absolutely stupendous.
Cinematography - Captivating and immersive.
Audience engagement - Top-tier.
Even my partner-who is super critical of horror shows because they rarely live up to their promise-couldn't stop binge-watching. We wrapped it up in two days.
But Khauf isn't just about spirits or horror tropes-it's layered. It weaves horror with social commentary, especially on the kind of harassment women face every day. When my partner said, "Some of this harassment seems exaggerated, no?"-I had to tell him: "Absolutely not. While all of it might not happen to one woman, nearly every woman has experienced at least something from this-and it's not just an Indian issue. It's a global one." So, to keep this short: I highly recommend watching Khauf. Even if you're not a horror fan, the storytelling will keep you hooked.
Huge shoutout to the cast-stellar performances across the board. The casting director deserves an award. Special love to: Monika Panwar (Madhu) - Her emotional range and character growth were a masterclass. She deserves a standing ovation.
Rajat Kapoor (Hakim) and Abhishek Chauhan (Arun) - Equally brilliant.
Here's wishing this entire team the recognition and success they truly deserve. Bravo!