Smith-jordan431
Joined Nov 2014
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Smith-jordan431's rating
Coming from someone who hasn't seen the video game, this pilot episode did what all pilot episodes aspire to do: establish tone and set-up the rest of the season. Within the first few frames I knew that the attention to detail would provide a stunning viewing experience and I was proved right. The writing, the cinematography and the music all blended together so well. Pedro Pascal gives us a haunting portrayal of a broken man. Whether he speaks or doesn't speak he's able to freeze you in your seat, a truly remarkable performance. Once the ride starts after the first 10 minutes, you're off. Not a wasted step and headed into episode two, I can tell we're only getting started.
Indiana Jones. Jaws. ET. Schindler's List. The list goes on and on. Spielberg develops a timeless story onto the big screen in a seamless fashion. I have yet to develop a coercive definition of for the term "they don't make movies like that anymore". But when you hear that phrase, this is the kind of movie that comes to mind.
The performances. Ansel Elgort gives one of the best performances I've seen from him as Tony. Mike Faist does an incredibly good job as Riff where he was in control of almost every scene he was in. As was David Alvarez as Bernardo. And Ariana deBose as Anita. But for me, the standout was Rachel Zegler as Maria. A virtually perfect casting choice as her voice was filled with the sound of the 50s. The cinematography and production design were stunning. Transporting me to the 1950s Manhattan neighborhoods.
Coming from a guy who isn't the biggest musical fan, the musical numbers most definitely moved the story forward and gave us a deeper understanding of the characters. It was never too self-indulgent to the point of taking away form the momentum of the plot. The singing was incredibly impressive combined with well choreographed dance sequences made for awe-inspiring scenes.
Go give movies like this the proper money that it deserves. The care and attention that went into the production of this movie is well worth the price of admission. Not to mention the theatrical experience is priceless. Take anyone and everyone to see this movie as it is one for everyone. A movie that stays after you long after you leave the theater, which Spielberg has done a time or two.
The performances. Ansel Elgort gives one of the best performances I've seen from him as Tony. Mike Faist does an incredibly good job as Riff where he was in control of almost every scene he was in. As was David Alvarez as Bernardo. And Ariana deBose as Anita. But for me, the standout was Rachel Zegler as Maria. A virtually perfect casting choice as her voice was filled with the sound of the 50s. The cinematography and production design were stunning. Transporting me to the 1950s Manhattan neighborhoods.
Coming from a guy who isn't the biggest musical fan, the musical numbers most definitely moved the story forward and gave us a deeper understanding of the characters. It was never too self-indulgent to the point of taking away form the momentum of the plot. The singing was incredibly impressive combined with well choreographed dance sequences made for awe-inspiring scenes.
Go give movies like this the proper money that it deserves. The care and attention that went into the production of this movie is well worth the price of admission. Not to mention the theatrical experience is priceless. Take anyone and everyone to see this movie as it is one for everyone. A movie that stays after you long after you leave the theater, which Spielberg has done a time or two.
