Not-Will-But-Still

Had the privilege of catching this film early as it screened at the London Film Festival. I had high hopes after seeing the critics reviews and it did not disappoint.

The story follows Adam and his neighbour Harry, with whom he develops a romantic relationship with, as he deals with the grief from his parents tragic death when he was child.

The film cuts across genres. At times it is funny, sad, romantic, and even horrifying. It is a damning depiction of the loneliness epidemic among younger men while also dealing with the added challenges faced by those within the lgbt community in trying to fit in.

The chemistry between Scott and Mescal is brilliant, while Foy and Bell really hit the right note in their roles. The film is also beautifully shot and has a lovely palette of colours within.

It's a tough watch and left me with a lump in my throat for the entire final third, but it thoroughly deserves all the praise it has received so far.

9/10.

Past Lives is an achingly beautiful story of Korean childhood sweethearts separated in early adolescence later reuniting as grown ups.

Celine Song does an outstanding job on her directorial debut bringing together these two characters whose lives feel entangled with one another and yet simultaneously so distant. It's a slow ride but you never feel like you want to get off.

What at first appears a typical story of a lost romance builds to a powerful final third that tugs at even the most hardened of heartstrings. Song uses a delicate touch throughout to guide the audience, trusting you to decipher the emotions at play. This is helped with a collection of mesmerising shots and a restrained, yet powerful, score.

Greta Lee and Teo Yoo produce two fine performances as Nora and Hae Sung. John Magaro also adds to the excellence with a unique and authentic delivery of a role with surprising punch. It is a relatively simple plot that focuses on narrative and the development of its central characters while playing on the themes of love, destiny, cultural difference, and the afterlife.

I really can't fault this film. If you're not okay with slower burns, then maybe it's not for you. But I'd seriously recommend trying.

10/10.

This is the kind of film you put on when you're tired and want something lighthearted to enjoy. Dom - quiet, timid, and heartbroken - and Yas - effervescent and forthright - have brilliant chemistry as the two are brought together on a sunny day in south London.

The film is a vibrant picture full of bold bright colour and drives a sense of nostalgia as you watch the pair journey through an eventful day growing a bond between two strangers. Rye Lane feels authentic and you can't help but relate to the highly affable characters and their troubles.

The score behind the picture is very well curated. The story feels like it is beating along rhythmically to a beat that paces well to keep you invested without overwhelming. It's fun and it's finger is on the pulse to the challenges of modern dating and finding deep meaningful connections.

It's impossible to watch this film without letting out a smile.

8/10.