warevjensen

Saw this film last weekend at its world premiere at Sundance. First of all, Donald Margulies' script was fantastic. I am slightly partial to good writing in film, so perhaps that's just what stood out to me, but the dialogue is incredibly well-written and natural and at least generally captures David Foster Wallace's fascinating way of talking. In essence (and in the best of ways), nothing really happens in this movie. There isn't a lot of high stakes drama, but that's exactly what makes it so compelling. It's like we as the audience get a glimpse into two men struggling with the same ideas about life, art, expression, addiction, culture, and depression.

Jason Segel and Jesse Eisenberg live up to the task of interpreting the script, helped along the way by director James Ponsoldt. The direction is simple, and the camera work is relatively basic throughout, giving the actors plenty of room to work with natural rhythm. Segel definitely impressed me, as this was the first dramatic role I've seen him in. While he didn't exactly capture some of Wallace's real-life mannerisms, I'm not sure if that was exactly the point of the film. He interpreted the script in a powerful way, and I think that that ended up working out quite well for the overall tone of the film. Eisenberg played his usual somewhat neurotic, slightly asshole- ish character very well, and I thought it fit the reporter role perfectly.

Overall, I would strongly recommend the film. 9/10

Just saw this movie at Sundance and thoroughly enjoyed it. While certainly not perfect, the film was beautifully shot, scored, and directed. As a post-apocalyptic film, it took a unique take on what was essentially a small group of survivors after nuclear fallout. However, instead of focusing on the apocalyptic elements themselves, it focused on the human drama that resulted and the emotional responses to this extreme sort of isolation.

I had essentially no expectations coming into the film and found myself completely invested in the storyline, which develops methodically but beautifully. The writing hits all the turning points within each character's development at just the right time, with just enough delicacy. In turn, the actors all delivered superb performances.

I had only seen Margot Robbie in The Wolf of Wall Street previously, and I was highly impressed by her perhaps more subtle turn here. I thought she did a wonderful job of portraying a woman trying to preserve her faith and even innocence in trying circumstances. Likewise, Chiwetel Ejiofor portrayed his character's shortcomings in an extremely relatable, human way.

Chris Pine's introduction into the film basically becomes the linchpin for the majority of the rest of the movie's tension, and Pine's typical suave-ness does not disappoint. Ultimately, a story of jealousy, desire, and necessity emerges, with the sense of isolation and loneliness prevailing, with an ending that leaves you thinking afterwards. 8/10.