krskiff

I have been largely unimpressed with Disney's recent animated movies, and many of my criticisms with them hold true with Moana. Looking back at Wreck-It Ralph, Zootopia, and Frozen, it seems to me that Disney is more interested in building a visually beautiful world than building a great story. This is true with Moana. The animation is wonderful. The world is gorgeous. The story, however, is rather dull and shallow.

The world is by design fairly sparse. There aren't a lot of characters in this movie. So to make up for that, the story or the characters need to be particularly compelling. Unfortunately, they aren't.

Disney breaks no new ground with Moana's story. That isn't new for Disney, and to be fair, it isn't necessarily a bad thing. Many good movies are just well-done re-imaginings of classic stories. But Moana isn't even that. At every step of the way, I couldn't shake a feeling that I'd seen it all before. The story never gripped me nor did it leave me feeling fulfilled. Thus, the film just feels empty.

If either Moana or Maui were engaging characters, this movie could have been good. Despite a good performance from Auli'i Cravalho, Moana had a very small character arc. She was not that different a person at the end of the film than she was at the beginning. For much of the film, she had very little agency of her own. The plot seemed to carry her along, rather than she driving the plot.

Maui did everything he could to cause the plot to stall. This could have been great, as his antagonistic attempts to stop the main character could have worked as the central conflict. But since Moana is rarely actually trying to move the plot forward, the conflict just seems to be her-vs-him, which is mildly interesting at best.

It's a shame. Moana could have been such a good movie. But it suffers from the same failings as most recent Disney animated ventures: wonderfully crafted world without a story worthy of that world.

On the cover, this seems like a run-of-the-mill John Wayne western. Sure, it's got the rough-and-tumble Wayne in his famed gunslinger role, it's got the gunfights, and it's got the saloons. But this one sets itself apart due to incredibly strong supporting roles by Robert Mitchum, James Caan, and Arthur Hunnicut.

Every supporting character in this well-directed western has their own personality and feel like more than a typical Western stereotype. The sheriff, the sheriff's sidekick, John Wayne's sidekick, and the love interest all have their own unique flair and work together seamlessly.

The humor is woven into the plot very well. Several scenes will even have your sides shaking with suppressed merriment!

This is a John Wayne western, but it is among the best of the bunch and definitely in my top 10 Westerns.