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augustovlucca's profile image

augustovlucca

Joined Jul 2015

Badges13

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Ratings1.7K

augustovlucca's rating
Carrie
7.47
Carrie
Die My Love
6.35
Die My Love
Frankenstein
7.56
Frankenstein
This Is Spinal Tap
7.98
This Is Spinal Tap
Wicked: For Good
7.03
Wicked: For Good
Naked
7.76
Naked
Chimes at Midnight
7.67
Chimes at Midnight
Clue
7.36
Clue
Dirty Harry
7.78
Dirty Harry
Magnolia
8.09
Magnolia
The American Friend
7.49
The American Friend
A House of Dynamite
6.45
A House of Dynamite
The Parallax View
7.17
The Parallax View
Splitsville
6.57
Splitsville
Daddy Longlegs
6.97
Daddy Longlegs
Back to the Future
8.59
Back to the Future
After the Storm
7.47
After the Storm
Broker
7.17
Broker
We All Loved Each Other So Much
8.08
We All Loved Each Other So Much
Prince of Broadway
7.27
Prince of Broadway
Heaven Knows What
6.86
Heaven Knows What
A Perfect World
7.58
A Perfect World
Starlet
7.08
Starlet
Phantom of the Paradise
7.37
Phantom of the Paradise
Being There
7.98
Being There

Lists1

  • Marlon Brando and Martin Sheen in Apocalypse Now (1979)
    My All-Time Top 25 Movies
    • 25 titles
    • Public
    • Modified Dec 08, 2025

Reviews106

augustovlucca's rating
Carrie

Carrie

7.4
7
  • Dec 14, 2025
  • Blood at the Prom

    This film has a reputation for being terrifying, but what really defines it is how bleak and tragic it feels. At its core, it's about isolation, humiliation, and the quiet damage caused by constant cruelty. The supernatural elements almost feel secondary to the emotional weight of watching a girl repeatedly broken down.

    The build-up is uneven, but once the prom scene arrives, everything snaps into focus. It's chaotic, brutal, and effective, though the violence spreads so broadly that the idea of revenge loses some of its impact. By the end, the shock gives way to something closer to sadness than fear.

    A powerful and influential film, even if its characters and motivations aren't explored deeply enough to fully justify its most extreme moments.
    Die My Love

    Die My Love

    6.3
    5
  • Dec 14, 2025
  • Love in Pieces

    The film occasionally hits something raw in how it portrays the impulsive, self-destructive edge of depression. When it gets abrasive, it feels honest, and Jennifer Lawrence does strong work trying to ground the chaos, even when the material gives her very little to hold onto.

    The problem is everything around that core. The writing and pacing feel scattered, with scenes drifting by without building momentum or meaning. It wants to be unsettling and unpredictable, but often comes off as unfocused, relying on vague symbolism that never really connects.

    There's sincerity in what it's reaching for, but not enough structure to support it. A committed performance can't save a film that never figures out what it wants to say.
    Frankenstein

    Frankenstein

    7.5
    6
  • Dec 14, 2025
  • Frankenstein Reassembled

    Right from the start, the movie makes it clear it's going big. The creature feels more like an unstoppable action figure than a tragic monster, which quickly pulls the story away from gothic horror and into blockbuster territory. That shift is hard to ignore.

    Visually, it's slick and sometimes impressive, but it also feels artificial, like watching a high-end cutscene. When the emotional beats arrive, especially the romance, they land flat and never really justify the weight the film wants them to carry. The movie keeps asking for depth without doing enough work to earn it.

    It's not a bad watch, just a strangely hollow one. It never fully captures the darkness or humanity that makes Frankenstein resonate.
    See all reviews

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