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MarsOz

Joined Jul 2015
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Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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  • Dustin Hoffman and Jon Voight in Midnight Cowboy (1969)
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    • Modified Oct 04, 2020

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MarsOz's rating
Leaving Afghanistan

Leaving Afghanistan

6.1
7
  • Aug 30, 2020
  • A mature film that's better than the ratings would have you believe.

    In 2020, The US has been engaged in the tricky process of extracting itself from it's military blunder into Afghanistan, leaving the future of the government it has propped up in uncertainty. Last year, "Brotherhood" was released, telling the story of the Soviet Union's own tumultuous extraction from the country, laden with it's own uncertainties.

    If I were to make a rough comparison, what Full Metal Jacket was to The Deer Hunter is what Brotherhood is to 9th Company. That is to say; Brotherhood is not like a Hollywood action movie with big fireball explosions and hordes of mindless enemies that serve to be mowed down by fearless, hardened and 'badass' soldiers. In Brotherhood, the special effects are realistically tame and used appropriately, the Mujahideen put up a deadly fight, and the soldiers they are fighting range from the brave, careless, and absolutely terrified; and sometimes all three.

    The soldiers also all have different senses of morality and motivation, it is for that I assume where the bombardment of 1 star ratings on IMDB came from and the reason I am writing this review. As far as I can tell, the soldiers here (as in real war) are portrayed as human beings with human flaws that are capable of and indeed at times act unprofessionally and at others, do terrible things. The Mujahideen are also portrayed with the same level of nuance, some are willing to make a deal with the Soviets, others are committed to brutality.

    The sets and props are spot on, anyone who has watched documentaries on the Soviet-Afghan war, or indeed on the more recent conflict (in regards to the locations at least) should be completely satisfied. As for the sound design, the crisp chatter of Kalashnikovs and explosions echoing around the mountains and isolated cobble houses of Afghanistan leave little to be desired. The soundtrack is appropriately haunting, and makes great use of the music of Soviet punk, Egor Letov, something that as a big Letov fan I appreciated greatly.

    I'd highly recommend this to any buffs of the Soviet war in Afghanistan, as well as to anyone who wants a prime example of a mature Russian war film.

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