pipeash
Joined Sep 2015
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges2
To learn how to earn badges, go to the badges help page.
Ratings26
pipeash's rating
Reviews11
pipeash's rating
The British crime drama Karen Pirie returns for a much-anticipated second season, bringing with it a compelling new cold case. Promoted from Detective Sergeant to Detective Inspector, Karen Pirie now takes on the mysterious disappearance of a billionaire's daughter and her child, a decades-old case riddled with unanswered questions, dark secrets, and an unsettling trail of privilege and neglect.
The writing remains a strong point of the series. The plot unfolds with intelligence and subtlety, expertly balancing the intricacies of police work with the emotional depth of unresolved trauma. The pacing is tight, the supporting characters well-drawn, and the atmosphere appropriately brooding.
However, the series suffers from a serious casting misstep that undermines its overall impact. Lauren Lyle, in the role of DI Karen Pirie, continues to feel miscast. Rather than embodying the weight and authority expected of a seasoned detective inspector, Lyle often appears more like a university student in a role-play exercise. Her performance lacks gravitas, and at times even borders on juvenile, an issue made more apparent when set against the more nuanced and grounded portrayals of her co-stars. One can't help but sense a certain awkwardness in the way others deliver lines opposite her, as if compensating for a missing emotional center.
It's a shame, because Karen Pirie has all the ingredients of a truly excellent crime drama: clever writing, rich character dynamics, and timely themes. But with a protagonist who never quite convinces, the show is left with a glaring imbalance. This second season deserved a lead with greater depth and command.
The writing remains a strong point of the series. The plot unfolds with intelligence and subtlety, expertly balancing the intricacies of police work with the emotional depth of unresolved trauma. The pacing is tight, the supporting characters well-drawn, and the atmosphere appropriately brooding.
However, the series suffers from a serious casting misstep that undermines its overall impact. Lauren Lyle, in the role of DI Karen Pirie, continues to feel miscast. Rather than embodying the weight and authority expected of a seasoned detective inspector, Lyle often appears more like a university student in a role-play exercise. Her performance lacks gravitas, and at times even borders on juvenile, an issue made more apparent when set against the more nuanced and grounded portrayals of her co-stars. One can't help but sense a certain awkwardness in the way others deliver lines opposite her, as if compensating for a missing emotional center.
It's a shame, because Karen Pirie has all the ingredients of a truly excellent crime drama: clever writing, rich character dynamics, and timely themes. But with a protagonist who never quite convinces, the show is left with a glaring imbalance. This second season deserved a lead with greater depth and command.
In Creative Company
Karen Pirie, Season Two - A Gripping Case Weighed Down by a Miscast Lead
The British crime drama Karen Pirie returns for a much-anticipated second season, bringing with it a compelling new cold case. Promoted from Detective Sergeant to Detective Inspector, Karen Pirie now takes on the mysterious disappearance of a billionaire's daughter and her child, a decades-old case riddled with unanswered questions, dark secrets, and an unsettling trail of privilege and neglect.
The writing remains a strong point of the series. The plot unfolds with intelligence and subtlety, expertly balancing the intricacies of police work with the emotional depth of unresolved trauma. The pacing is tight, the supporting characters well-drawn, and the atmosphere appropriately brooding.
However, the series suffers from a serious casting misstep that undermines its overall impact. Lauren Lyle, in the role of DI Karen Pirie, continues to feel miscast. Rather than embodying the weight and authority expected of a seasoned detective inspector, Lyle often appears more like a university student in a role-play exercise. Her performance lacks gravitas, and at times even borders on juvenile, an issue made more apparent when set against the more nuanced and grounded portrayals of her co-stars. One can't help but sense a certain awkwardness in the way others deliver lines opposite her, as if compensating for a missing emotional center.
It's a shame, because Karen Pirie has all the ingredients of a truly excellent crime drama: clever writing, rich character dynamics, and timely themes. But with a protagonist who never quite convinces, the show is left with a glaring imbalance. This second season deserved a lead with greater depth and command.
The British crime drama Karen Pirie returns for a much-anticipated second season, bringing with it a compelling new cold case. Promoted from Detective Sergeant to Detective Inspector, Karen Pirie now takes on the mysterious disappearance of a billionaire's daughter and her child, a decades-old case riddled with unanswered questions, dark secrets, and an unsettling trail of privilege and neglect.
The writing remains a strong point of the series. The plot unfolds with intelligence and subtlety, expertly balancing the intricacies of police work with the emotional depth of unresolved trauma. The pacing is tight, the supporting characters well-drawn, and the atmosphere appropriately brooding.
However, the series suffers from a serious casting misstep that undermines its overall impact. Lauren Lyle, in the role of DI Karen Pirie, continues to feel miscast. Rather than embodying the weight and authority expected of a seasoned detective inspector, Lyle often appears more like a university student in a role-play exercise. Her performance lacks gravitas, and at times even borders on juvenile, an issue made more apparent when set against the more nuanced and grounded portrayals of her co-stars. One can't help but sense a certain awkwardness in the way others deliver lines opposite her, as if compensating for a missing emotional center.
It's a shame, because Karen Pirie has all the ingredients of a truly excellent crime drama: clever writing, rich character dynamics, and timely themes. But with a protagonist who never quite convinces, the show is left with a glaring imbalance. This second season deserved a lead with greater depth and command.
Aga is a bloodthirsty, impulsive, but not too smart policewoman. Until episode 6, there was a real tension, but given the quality of the scenario, things became unbelievable. Here are some of the nonsense: The killer's wife drinks the poison without resisting and doesn't go to testify even though she knows her husband is a killer. Towards the end, instead of shooting the serial killer, the policewoman puts her gun on the floor! Why does she do this? Because the writers, lacking talent, wanted to artificially add a little suspense. Some amateurism... It plumes the tension and the episode becomes difficult to believe. Series 2 is even worse... Where is the killer's Megane car? Why doesn't his wife testify? His son, in the process of becoming a psychopath, becomes a liar. We have a hybristophile woman who appears out of nowhere! She becomes a babysitter for his children and influences the son to lie. In the ball of implausibilities and nonsense, the series becomes difficult to bear. It's like a bad horror film. It got so boring that I couldn't watch the series until the end. Too bad.