p-26680

Witty script, high production values.

Individuals with experience in any State Department capacity recognizes the paramount significance of collective intelligence and the imperative to thoroughly vet it before presenting it to decision-makers. A notable instance of this intentional oversight occurred when Dick Cheney misrepresented facts regarding Iraq, relying on falsehoods and rumors. Even when presented, it is crucial to recognize that these individuals are politicians and lack the requisite qualifications to act on such intelligence, as they are primarily motivated by their own political interests, ego...

Indeed, backchanneling exists, even with our adversaries.

This isn't Barbie, one should be somewhat enlightened, paying attention to follow the twists and turns in the plot to comprehend the multifaceted aspects of intelligence and subsequent diplomacy.

To be candid, following the initial film, I did not develop a strong affinity for the franchise, as I found its graphic violence to be excessive for my preferences. However, this perception shifted when Prometheus was released.

Despite my initial reservations, I was hesitant to watch ALIEN:Earth, anticipating a similar experience based on the initial films. Nevertheless, once into the first three episodes of ALIEN:Earth, I found that the characters became more developed with their unexpected storytelling, became quite engaging.

While it may not be flawless or perfect, it is remarkably close to being so. Given the expansive storytelling potential of the series, I have high expectations, considering the substantial initial investment of $250 million and the exceptional showrunners involved in season one.

Sheridan's novella writing style is wearing thin, often resulting in thinly woven plots, obvious outcomes, and predictability... S1:E1+2 clearly showcased Sheridan's inabilities as a writer, producer, and director, with his irrational pacing, poor scripting, and abusive one-liners... The direction Hamm received was unworthy, while the juvenile chaos injected by the ex & daughter seriously muddies the waters, to the point that I'm simply fast-forwarding through their scenes. Let's hope significant changes are in store, because as it stands, with its shallow characterizations, poor production values, it's likely to end much like Yellowstone, with crashing viewership, unable to hold an audience's attention, and for those exact same reasons, I never bothered with any of Sheridan's subsequent spinoffs, nor could I even endure finishing Yellowstone (which had nothing to do with Cosnter's subsequent departure).