Tweetienator
Joined Dec 2015
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Tweetienator's rating
To watch Emma Stone is always a pleasure; sadly, Bugonia is a rather mediocre movie, or better, a mixed experience. For example: the "twist" is no twist. After the "theory" of our two "heroes" was exposed, I did know what was coming. My main trouble with this movie is that it is too long, and having to listen to all that "blah blah," especially in the beginning, was rather a nauseating experience - just compare it with the start of Fight Club, and you know how interesting and even mind-blowing such an exposition can be. Some cutting may do wonders to this flick. Anyway, there are a few funny and even great scenes, and I liked Emma Stone's performance a lot. But whereas, e.g., Poor Things I will put on my screens again, this one I doubt. Verdict: not too bad, but not too good either.
Sadly, Besson's vision of Dracula is an ill-conceived mix that sometimes - unintentionally - crosses the line to parody.
These parts seriously undermine the dramatic and horror elements. In the end, a mixed impression remains: the movie certainly has some good moments and entertains to a certain extent, but clearly exposes its weaknesses when compared to Coppola's vision.
Last but not least, the changes compared to Shelley's story, in particular, are mostly unsuccessful and weaken the story presented. The most charming performance was delivered by Matilda De Angelis as Maria. The rest of the cast works solid. Christoph Waltz reminds me of Johnny Depp lately; both seem to be trapped into playing always the same or at least very similar characters, no matter the movie.
These parts seriously undermine the dramatic and horror elements. In the end, a mixed impression remains: the movie certainly has some good moments and entertains to a certain extent, but clearly exposes its weaknesses when compared to Coppola's vision.
Last but not least, the changes compared to Shelley's story, in particular, are mostly unsuccessful and weaken the story presented. The most charming performance was delivered by Matilda De Angelis as Maria. The rest of the cast works solid. Christoph Waltz reminds me of Johnny Depp lately; both seem to be trapped into playing always the same or at least very similar characters, no matter the movie.
Strongest part of Toro's Frankenstein are the visual quality and the cast (which is really good). Sadly, the longer the movie runs and the more Mr. Toro put in his own ideas to the story, the more the story fell apart. In the end we get, I dare to say, some kitsch served - the ending is really sentimental kitsch par excellence including the music score. Anyway, Frankenstein is not a bad movie or failure, just not really good. Verdict: watchable but soon to be forgotten.
