faustifilms

Martin Daniels' "Everyone Laugh At Leanne", tells the story of a day in the life of the protagonist of the title. Despite seeming to have a happy relationship and concerned friends, all is not quite what it seems in Leanne's world. Director Daniels' has gained a reputation for creating visually stunning psychodramas that engage their audience, whilst avoiding simplistic interpretation or explanation. Watching this I was reminded of "Repulsion" (UK,1965), in that both deal with a female protagonist attempting to make sense of her perceptions in a world that seems to feed her paranoia and insecurities. With great sound design, provided by Daniels himself and high quality visuals, this is a film that is big on atmosphere and keeps you unnerved throughout. I look forward to seeing what this director will produce next.

"Dr Balden Cross: Beyond The Void", employs the faux documentary format to tell the story of academic and occultist Dr Balden Cross's career and his excursions into the darker side of human knowledge.

Directed by Tom Lee Rutter, the film evokes those 1970s documentaries about the supernatural and unsolved mysteries, in which the hosts were often more creepy than the subject matter. Like Rutter's previous work, "Bella in the Witch Elm", there is a pervading sense of unease about, "Dr Balden Cross: Beyond The Void", which is difficult to quantify. The film's tone is partly conveyed by the director's highly effective use of visuals and sound but also by what is not spoken of and not shown but hinted at.

Further testament to Rutter's skills are the enjoyably knowing nods that the director makes towards the horror genre of the 1970s, particularly in the form of a fleeting Hammer Horror pastiche, "A Coffin For Lady Dracula", a clip of which the audience are treated to. "Dr Balden Cross: Beyond The Void", also features a number of cameos from Horror and underground filmmakers, such as Norman J Warren and Cassandra Sechler, with director Rutter himself briefly appearing as a hapless cameraman. Actor David Fenn's understated performance as Dr Balden Cross, strikes the right note as the esoteric academic and folklorist, perfectly fitting the world and narrative the director seeks to create.

"Dr Balden-Cross: Beyond The Void" is an accomplished work from director Tom Lee Rutter, that recalls those creepy, elliptical British horror films from the 1970s, such as "The Shout" and "The Asphyx", which eschew jump scares in favour of characterisation and atmosphere.

Bazz Hancher's White Goods is a lean slice of low budget, D.I.Y. filmmaking, that engages and contains more self-deprecating humour that the director's previous works. Familiar faces from the UK underground film scene populate the cast, including Tom Lee Rutter, Lee Mark Jones and the director himself also puts in a cameo. The plot is bonkers, focusing upon a dodgy psychic, various supernatural shenanigans and Hancher's trade mark gore. Not as dark as the Director's previous S.O.V. films, White Goods is a great bit of UK low budget fun, that doesn't take itself too seriously.