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KalStradling's profile image

KalStradling

Joined Feb 2016
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Ratings29

KalStradling's rating
Das Paradies
9.610
Das Paradies
Dark
8.710
Dark
The Lego Movie
7.710
The Lego Movie
When They See Us
8.810
When They See Us
Hamilton
8.310
Hamilton
Knives Out
7.99
Knives Out
Upgrade
7.59
Upgrade
The Lion King
6.88
The Lion King
First Man
7.39
First Man
The 12 Days of Christine
9.110
The 12 Days of Christine
12 Angry Men
9.010
12 Angry Men
Chernobyl
9.310
Chernobyl
Children of Men
7.910
Children of Men
Avengers: Endgame
8.410
Avengers: Endgame
Inside No. 9
8.510
Inside No. 9
Spider-Man: Into the Spider-Verse
8.410
Spider-Man: Into the Spider-Verse
The Intouchables
8.510
The Intouchables
The World's End
6.910
The World's End
Breaking Bad
9.510
Breaking Bad
Get Out
7.810
Get Out
Love on a Leash
7.710
Love on a Leash
Dunkirk
7.810
Dunkirk
Fight Club
8.810
Fight Club
The Office
9.010
The Office
It's Always Sunny in Philadelphia
8.810
It's Always Sunny in Philadelphia

Reviews4

KalStradling's rating
Upgrade

Upgrade

7.5
9
  • Jul 24, 2019
  • Surprisingly fantastic. Venom but good.

    When I headed to the cinema, I had no idea what we was about to watch. We chosen a random action sci-fi film that had one cool camera angle in. Honestly I thought that would be it, the plot would be lazy and the script would be disappointing. But WOW, this film blew my mind completely. Whannel quite clearly focused his budget on the film rather than the advertising. You'd be forgiven thinking this was a rip off of Venom (2018) but it is simply so SO much better. If you was disappointed by Venom, give Upgrade a watch, I urge you.

    Now lets talk about the cinematography, specifically that moving camera shot that focuses on Grey (Logan Marshall-Green). During the first fight sequence after STEM takes over Grey's body, the camera follows Grey in the middle of the screen, rather than the camera be stationary. Even if you don't enjoy action sci-fi films, I'd recommend just watching this shot over and over.

    The plot is a fantastic take on the action sci-fi drama. Although a little predictable, the film allows for a significant amount of enjoyment from the technical aspects of the film.

    The dialogue of the film was gritty and realistic whilst also being extremely comedic. The pacing is perfect, you never feel left behind the plot with boring, pointless dialogue. It flows very smoothly, this felt even better with the fantastic performances from specifically Logan Marshall-Green, who playing a quadriplegic gives a compelling performance.

    I won't give away the ending of the film as I feel people should feel the utter despair and shock I felt in the final act of the film. WATCH THIS FILM.

    I'd highly recommend watching Upgrade and giving it a chance over Venom. The plot feels a lot smoother than the action filled Venom, and with Upgrade not really following a super hero plot rather a real sci-fi plot, it is a fresh take on the genre that has been losing is popularity over the years.

    9/10
    The Lion King

    The Lion King

    6.8
    8
  • Jul 23, 2019
  • All that's missing is David Attenborough.

    Now I never felt the need for a remake of the classic Lion King, I've understood Disney's desire to recreate the classic films for a new generation and allow them to feel the magic many people felt as children, and to a degree this was successful. When I went to see it, the cinema was filled with children and their parents. This is wonderful and all, however I feel the only real improvement upon the original is the animation...

    And how amazing it was. The animation team at Disney managed to keep up with the expectations and surpass the quality I felt a fully animated film could ever be, it felt almost real. Every part of the camera work, from the animation to the cinematography to the editing. Simply impeccable.

    Furthermore with the technical elements of the film, the sound design was simply fantastic. But what else could you expect from Hans Zimmer and Elton John? Both of whom retain their roles from the original Lion King. Not only was the score amazing, but the sound editing and mixing captivated me, making it feel like I was there on the plains of Africa. The voice recording from the characters felt open, I didn't feel like they was simply in a recording studio reading from a script, this allowed for even more immersion into the African wilderness and away from a dark cinema. It would not shock or anger me if this was to be nominated for an academy award for the sound editing and mixing, mark these words.

    Now if I can sell you The Lion King with anything, it'd have to be the silky smooth voices of James Earl Jones as Mufasa and John Kani as Rafiki. The South African creole Kani uses voicing Rafiki really brings the character alive on the screen. The whole cast provided an above average performance, however certain characters fell short on me such as Keegan-Michael Key as Kamari and Eric Andre as Azizi. With the nature of these characters, the film makers must make a decision, 1- make them overly funny and less scary and kept the same actors (I'd prefer this as I believe Key and Andre are brilliant actors), or 2- Kept the same darker tone and hired less comedic actors to take their role. Other than this small complaint I believe everyone from Beyonce to Seth Rogen gave a captivating performance.

    Overall, the Lion King allowed for a captivating , emotional and glorious experience in the cinema. It felt consistently like an episode of Blue Planet. All that was missing was David Attenborough.

    8/10
    First Man

    First Man

    7.3
    9
  • Jul 23, 2019
  • A film that focuses more on loss than gain.

    See all reviews

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