i_odin

Ever since the Dark Knight trilogy, superhero films have taken a darker turn-whether for better or worse, I'll leave that for others to decide. But one thing's certain: the genre was due for a change. And who better to lead that shift than the original icon himself-Superman.

He's not the brooding, muscle-bound watchful protector (as much as I appreciated Snyder's melancholic spin, that wasn't quite the comic-book Superman). Superman is the charming, endearing beacon of hope that people literally "look up" to. And yes, kids absolutely adore him.

Gunn's decision to reimagine Superman not as a fearsome alien in a textured, scaly suit but as a lovable extraterrestrial is applause-worthy. He brings out the vulnerability that grounds the character-after all, beneath the cape is a man navigating a messy social life while grappling with villains (and trust me, there's a lot to unpack there).

James Gunn's Superman captures the essence of what Superman has always stood for.

Now, about the villains and action sequences, they're best described as refreshingly "cool." Instead of Snyder's pantheon of otherworldly gods, Gunn opts for Superman's classic mortal nemesis: Lex Luthor. It's a perfect fit. Luthor is both menacing and profoundly flawed, embodying deeply human traits that elevate the story.

Gunn's emphasis on human flaws and grounded conflicts makes this film stand out, especially in an era where superhero sagas feel increasingly bloated with multiverses and cosmic threats.

This is a genuinely enjoyable movie.

Flow is a story about a gang of animals which come together in the backdrop of a natural calamity and how their relationship evolves while they maneuver through various challenges.

The animals were realistic yet they had a strange "humanity" in them which helped us relate to them. The cat being the protagonist is not just curious but also brave and its journey of overcoming its fear is endearing.

The visuals and the animation are beautiful. The music helps build this mystical land. Although the film doesn't have any dialogues but whatever little these animals "speak" in their own way is more than enough to convey the emotions to us.

This is a great film, and rightfully being called the best animation film of 2024.

Only a handful of movies leave a lasting mark on you long after the credits roll. Sinner did that for me. Right away, I have to mention that the film's music is both soulful and sinister, setting the tone perfectly. Experiencing it, I immediately felt connected to the characters and the themes the movie was striving to portray.

The cinematography, paired with Göransson's breathtaking score, is truly mesmerizing. The cast delivers performances that absolutely deserve recognition.

The concept of blending music-especially Blues-with vampires is genuinely novel, and Coogler's execution is a testament to his mastery of the craft. What could have easily felt silly instead enhances the atmosphere of racial tension and horror, making the film all the more immersive. Yet, it also finds room for well-placed comedic moments, which adds a smart contrast to its darker themes.

That said, Jordan's performance as the Twins fell short for me. It lacked originality and often veered into caricature, feeling more like an exaggerated depiction of the era's archetypes rather than a sincere, nuanced portrayal.