aleskander
Joined Aug 2016
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Reviews70
aleskander's rating
A clear excess of footage in a feature film which has resonances of Altman, Coen, Tarantino, De Palma and Hawks.
The performances reach some kind of excess, as well, with this fashionable, expresssionist unnecesary style.
The main actor repeats the same action at least three times, he takes off his glasses and wipes the sweat from his forehead, three times, is there not an editor or the director did not shoot enough takes?
Although the subtext idea of the story is admirable, reflecting the poisonous atmosphere that is with us today, using a big metaphor, sadly, the main points of the story are not well underlined and it turns into an unbearable picture towards the third part of the story.
The performances reach some kind of excess, as well, with this fashionable, expresssionist unnecesary style.
The main actor repeats the same action at least three times, he takes off his glasses and wipes the sweat from his forehead, three times, is there not an editor or the director did not shoot enough takes?
Although the subtext idea of the story is admirable, reflecting the poisonous atmosphere that is with us today, using a big metaphor, sadly, the main points of the story are not well underlined and it turns into an unbearable picture towards the third part of the story.
Based on the diaries of Neus Pipó, the protagonist, a girl, follows the path of her parents, both dead, looking into the past lives of them, using real facts and her own imagination, correcting all and contrasting the different versions she receives from her family (friends, uncle, aunt...).
The research leads her to a sea she likes a lot and makes her ask herself: how many kinds of youngsters were posssible in the 80's in Spain (those times where they lived)?
The film has a very clear influence of Antonioni (The Adventure, The Passenger & especially Zabriskie Point, with the naked bodies of a man and a woman playing, fighting and making love on the sand).
But the movie also follows the director's own background, a well forged and consolidated style.
The research leads her to a sea she likes a lot and makes her ask herself: how many kinds of youngsters were posssible in the 80's in Spain (those times where they lived)?
The film has a very clear influence of Antonioni (The Adventure, The Passenger & especially Zabriskie Point, with the naked bodies of a man and a woman playing, fighting and making love on the sand).
But the movie also follows the director's own background, a well forged and consolidated style.
SIRAT
An excellent film which metaphorizes our deepest feelings, a road movie of a man with his son in search of the man's daughter and the son's sister.
A very impressive cinematography: the profound landscape, as a character, probably the most important character of the film. One feels the Nature, as a superior intelligence. We are all here with the same destiny.
There are at least 3 turning points, three important plot points, one of them in the middle of the film. The middle of the second act.
We will explode watching a picture which reminds us of "Zabriskie Point" by Michelangelo Antonioni or maybe "Fata Morgana" by Werner Herzog.
We all live in the same train.
Nice movie!
An excellent film which metaphorizes our deepest feelings, a road movie of a man with his son in search of the man's daughter and the son's sister.
A very impressive cinematography: the profound landscape, as a character, probably the most important character of the film. One feels the Nature, as a superior intelligence. We are all here with the same destiny.
There are at least 3 turning points, three important plot points, one of them in the middle of the film. The middle of the second act.
We will explode watching a picture which reminds us of "Zabriskie Point" by Michelangelo Antonioni or maybe "Fata Morgana" by Werner Herzog.
We all live in the same train.
Nice movie!