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aleskander

Joined Aug 2016
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.

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Reviews71

aleskander's rating
The Captive

The Captive

6.0
5
  • Sep 22, 2025
  • Hollow & Sleepy

    Probably the weakest film made by one of the best Spanish cinema directors, very precise and accurate, with a proficient control of the image.

    But making a film is difficult, the screenplay has flaws, the story lacks depth, the line of action loses credibility and strength.

    A very expensive film, though, with reach costumes, a nice atmosphere, somewhat poor in content.
    Eddington

    Eddington

    6.7
    4
  • Sep 13, 2025
  • Not well interwoven

    A clear excess of footage in a feature film which has resonances of Altman, Coen, Tarantino, De Palma and Hawks.

    The performances reach some kind of excess, as well, with this fashionable, expresssionist unnecesary style.

    The main actor repeats the same action at least three times, he takes off his glasses and wipes the sweat from his forehead, three times, is there not an editor or the director did not shoot enough takes?

    Although the subtext idea of the story is admirable, reflecting the poisonous atmosphere that is with us today, using a big metaphor, sadly, the main points of the story are not well underlined and it turns into an unbearable picture towards the third part of the story.
    Romería

    Romería

    7.2
    10
  • Sep 6, 2025
  • Simón Pipó

    Based on the diaries of Neus Pipó, the protagonist, a girl, follows the path of her parents, both dead, looking into the past lives of them, using real facts and her own imagination, correcting all and contrasting the different versions she receives from her family (friends, uncle, aunt...).

    The research leads her to a sea she likes a lot and makes her ask herself: how many kinds of youngsters were posssible in the 80's in Spain (those times where they lived)?

    The film has a very clear influence of Antonioni (The Adventure, The Passenger & especially Zabriskie Point, with the naked bodies of a man and a woman playing, fighting and making love on the sand).

    But the movie also follows the director's own background, a well forged and consolidated style.
    See all reviews

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