alexanderhanno
Joined Aug 2016
Welcome to the new profile
Our updates are still in development. While the previous version of the profile is no longer accessible, we're actively working on improvements, and some of the missing features will be returning soon! Stay tuned for their return. In the meantime, the Ratings Analysis is still available on our iOS and Android apps, found on the profile page. To view your Rating Distribution(s) by Year and Genre, please refer to our new Help guide.
Badges8
To learn how to earn badges, go to the badges help page.
Reviews29
alexanderhanno's rating
Sexy, subversive, and nuanced, "I Really Love My Husband" is all at once a throwback to the great rom-coms of old as well as a fresh and biting take on modern love. It's equal parts funny and cringe-worthy in the best way. The setting is stunning and the characters complicated, humanizing marriage in a way most films are too scared to do. If you love indie film, this one's an absolute banger!
Heartwarming and heart-wrenching all at once, 12 Months peels back the curtain on love - warts and all - providing an honest look at a toxic relationship, one that's equal parts beautiful and unsettling. Elizabeth Hirsch-Tauber and Michael James Kelly each give incredibly compelling and genuine performances in the leading roles, earning empathy and ire from moment to moment, both detestable and lovable every other turn. The grounded and gritty approach to the camerawork further adds to the film's authenticity, crafting something close to home for anyone who's ever navigated the highs and lows of companionship.
Street smart, uncompromising, sexy, bitter, funny, feminist and beyond all else, raw, Low Low is an indie film that strives to say so much, often through nothing but subtext and casual banter alone. It's a beautiful and honest piece that depicts the rough slice of life four woman have carved out for themselves in a tired, suburban world, managing to do so with genuine finesse. Patient writing and gut wrenching performances from all the leading women (special mentions go to Ali Richey and Kacie Rogers) help lure the viewer into the story and get them thoroughly invested in the nuanced conflicts that threaten to tear any happiness these girls have found clean in two. It's not a perfect film per se, and it doesn't intend to be. It's messy, it has cracks, it's dirty... just like the lives of its four leads, and these "imperfections" ultimately yield truth and empathy that so many indie films today genuinely lack. It isn't an easy watch, for the girls have a tough go of it throughout, but that's life, and that's what I appreciated the most. This movie is a breath of fresh air, and even if it's cold, biting air that comes along in the dead of winter and stings just a bit, it's hugely refreshing nonetheless.