GabrielYoda
Joined Aug 2016
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Ratings2.2K
GabrielYoda's rating
Reviews86
GabrielYoda's rating
Wolfs is a feature film that, at the very least, has everything a decent movie by convention should have:
-Although it's not very original, it has its charisma and the events in the stories are instrisic and distinct, giving us the feeling of uncertainty almost all the time, despite being a thriller that for me is a "light thriller", but the lore, the environments, the cinematography following the duo and then the obstacles along the way steal the viewer's attention.
-Narrative is the strongest point, Clooney and Pitt form characters who consider themselves disparate but are the same side of the coin, they are not treated as a "john wicky" but are very strategic and cunning to escape from various life and death situations.
-The beginning of the first act is the strongest point of this movie, it's top notch, the arrival of Clooney's character is exciting, he's shown as someone secretive, genius, a little obsequious, the plot at the beginning is excellent, very well constructed until the arrival of Brad Pitt who from then on changes the tone of the narrative a lot, tending towards the side of more action than a thriller and crime, Clooney's influence at the beginning of the feature is top notch and appreciative.
/admiravel.
-The colors, setting, clothes, cars give off a vibe of elegance and modernity, the film is very reminiscent of Collateral (2004), there's even a part where they go to a club that also takes place in Collateral.
-Brad Pitt's performance is quieter, a little egoless, underestimating Clooney (in these moments the dialogues are a little generic/deprecated), Pitt's in this film is a little reminiscent of his previous role in Se7en (1995) but it's not a "copy" but a similarity since the actor in Wolfs is already someone of significant age and experience.
-During the film, the pair question each other all the time about the situations around them, trying to predict why they are doing what they are doing, who ordered them to do it, what the enemy's strategy is, why the enemy did it. At times, the two of them become neuroses about the unknown events that occur during the plot, and I believe that the director added these dialogues to prevent the viewer from questioning or pointing out errors during the story.
-Another point to note is the dubious ending regarding the situation of the two characters, which made the movie end in a "different" way.
-Wolfs(2024)Although I don't agree with this title and it seems a bit generic, this movie can't get a grade below 6 or C+.
-Narrative is the strongest point, Clooney and Pitt form characters who consider themselves disparate but are the same side of the coin, they are not treated as a "john wicky" but are very strategic and cunning to escape from various life and death situations.
-The beginning of the first act is the strongest point of this movie, it's top notch, the arrival of Clooney's character is exciting, he's shown as someone secretive, genius, a little obsequious, the plot at the beginning is excellent, very well constructed until the arrival of Brad Pitt who from then on changes the tone of the narrative a lot, tending towards the side of more action than a thriller and crime, Clooney's influence at the beginning of the feature is top notch and appreciative.
/admiravel.
-The colors, setting, clothes, cars give off a vibe of elegance and modernity, the film is very reminiscent of Collateral (2004), there's even a part where they go to a club that also takes place in Collateral.
-Brad Pitt's performance is quieter, a little egoless, underestimating Clooney (in these moments the dialogues are a little generic/deprecated), Pitt's in this film is a little reminiscent of his previous role in Se7en (1995) but it's not a "copy" but a similarity since the actor in Wolfs is already someone of significant age and experience.
-During the film, the pair question each other all the time about the situations around them, trying to predict why they are doing what they are doing, who ordered them to do it, what the enemy's strategy is, why the enemy did it. At times, the two of them become neuroses about the unknown events that occur during the plot, and I believe that the director added these dialogues to prevent the viewer from questioning or pointing out errors during the story.
-Another point to note is the dubious ending regarding the situation of the two characters, which made the movie end in a "different" way.
-Wolfs(2024)Although I don't agree with this title and it seems a bit generic, this movie can't get a grade below 6 or C+.
The world of Asura is well explained, this is due to the groups and hierarchies that we see during the plot that is involved by the characters
-it's essential to a mafia movie, where the protagonist lives a constant duality that ends up making his morals take a back seat, sometimes focused on his feelings, but even with his experience he proves to be someone out of control and with ambition dependent on the course of his life, Han's complexion is complex and well developed we can be sure that jung woo sung has given himself 100% to the role with every one of his expressions/semblances/rises/ you see him making an effort at all times.
-prefect is ironic but a little predictable, the director gave the character this archetype to give us the feeling of being unpredictable but being able to know what he's up to in the future could have given a little more refinement to his appearances and background, but still Hwang did a decent job that at least makes us see him as an audacious villain
-But the highlight is the final 50% of the film where, incredibly, we see the best of the entire cast. This is once again due to the fate that the direction gave to the conclusion of the film, which demanded acting, expressions, fear, anguish, cowardice, mercy, regret and total mourning in a Tarantino style, but with slightly darker tones of color, but with too much of a wine red counterpoint!
-A phrase that the narrative always leaves at the beginning of the film and goes on until the grand finale is " There will be blood"
-it's essential to a mafia movie, where the protagonist lives a constant duality that ends up making his morals take a back seat, sometimes focused on his feelings, but even with his experience he proves to be someone out of control and with ambition dependent on the course of his life, Han's complexion is complex and well developed we can be sure that jung woo sung has given himself 100% to the role with every one of his expressions/semblances/rises/ you see him making an effort at all times.
-prefect is ironic but a little predictable, the director gave the character this archetype to give us the feeling of being unpredictable but being able to know what he's up to in the future could have given a little more refinement to his appearances and background, but still Hwang did a decent job that at least makes us see him as an audacious villain
-But the highlight is the final 50% of the film where, incredibly, we see the best of the entire cast. This is once again due to the fate that the direction gave to the conclusion of the film, which demanded acting, expressions, fear, anguish, cowardice, mercy, regret and total mourning in a Tarantino style, but with slightly darker tones of color, but with too much of a wine red counterpoint!
-A phrase that the narrative always leaves at the beginning of the film and goes on until the grand finale is " There will be blood"
"Crazy Heart" presents us with a cinematic experience rich in symbolism and nuance, weaving a moving narrative about redemption, love and the search for the meaning of life. Through an in-depth analysis, we will explore the elements that elevate this work to a level of excellence, highlighting the mastery of the direction, the strength of the performances and the richness of the soundtrack.
Lighting: Painting the Soul with Light
The warm color palette and the high saturation of the lighting serve as a masterful brush, tracing the emotional state of the protagonist, Bad Blake. The golden light, present in bars and decadent environments, evokes the suffocating heat of Bad's inner desert, consumed by alcoholism and melancholy. In contrast, the softer, more natural lighting in scenes with Jean's character and her son symbolizes the hope and redemption that Bad envisions. This visual dichotomy is brilliant, underlining the protagonist's search for a refuge from the darkness within.
Cinematography: Getting under the skin of the characters
The camera becomes an extension of the characters, capturing their innermost feelings and expressions. The frequent use of open shots invites us to immerse ourselves in Bad's reality, observing every wrinkle on his face, every tremor in his hands, every flash of pain in his eyes. This immersion intensifies the emotional connection with the protagonist, making his journey even more palpable.
Soundtrack: The Melody of the Soul
The original songs in "Crazy Heart" are more than just musical accompaniment; they are the soul of the movie. Each note, each chord pulses in sync with the emotions of the characters, amplifying their longings, pains and joys. Jeff Bridges' husky, empowered voice echoes Bad's tormented soul, while the soft, melancholy melody of Jean's songs represents the hope she offers. The soundtrack takes the narrative to another level, becoming a crucial element in building the atmosphere and immersing the viewer.
Acting: A Symphony of Emotions
Jeff Bridges delivers a masterful performance, embodying Bad Blake with body and soul. Every gesture, every look, every word oozes authenticity and emotion. His chemistry with Maggie Gyllenhaal is palpable, creating a deep and moving connection between their characters. Bridges' performance is the pulsating soul of the film, elevating the narrative to a level of excellence rarely seen before
Screenplay: An Imperfect but Thrilling Journey
Although the script follows a familiar narrative structure, exploring themes such as redemption and romance in a predictable way, the strength of the performances and direction elevates the work above its clichés. Bad's story grips us from start to finish, and the genuine dialog and catchphrases make the characters memorable.
Weaknesses of the script:
Predictability: The story follows a familiar narrative structure, exploring themes such as redemption and romance in a predictable way. This may make the experience a little less surprising for some viewers.
Lack of depth in the relationship: The development of the relationship between Bad and Jean could have been more detailed and rich in nuance. The superficiality at times limits the audience's emotional connection with the couple.
Incomplete Evolution: Bad's trajectory, especially in relation to alcoholism, could have been explored in more depth, showing the obstacles and challenges he faces on his journey to redemption.
But it's not all flowers...
It's important to note that the weaknesses in the script don't compromise the overall experience of the film. The exceptional performances by Bridges and Gyllenhaal, Cooper's masterful direction and the moving soundtrack elevate the work to a higher level, partly overshadowing the script's flaws.
Lighting: Painting the Soul with Light
The warm color palette and the high saturation of the lighting serve as a masterful brush, tracing the emotional state of the protagonist, Bad Blake. The golden light, present in bars and decadent environments, evokes the suffocating heat of Bad's inner desert, consumed by alcoholism and melancholy. In contrast, the softer, more natural lighting in scenes with Jean's character and her son symbolizes the hope and redemption that Bad envisions. This visual dichotomy is brilliant, underlining the protagonist's search for a refuge from the darkness within.
Cinematography: Getting under the skin of the characters
The camera becomes an extension of the characters, capturing their innermost feelings and expressions. The frequent use of open shots invites us to immerse ourselves in Bad's reality, observing every wrinkle on his face, every tremor in his hands, every flash of pain in his eyes. This immersion intensifies the emotional connection with the protagonist, making his journey even more palpable.
Soundtrack: The Melody of the Soul
The original songs in "Crazy Heart" are more than just musical accompaniment; they are the soul of the movie. Each note, each chord pulses in sync with the emotions of the characters, amplifying their longings, pains and joys. Jeff Bridges' husky, empowered voice echoes Bad's tormented soul, while the soft, melancholy melody of Jean's songs represents the hope she offers. The soundtrack takes the narrative to another level, becoming a crucial element in building the atmosphere and immersing the viewer.
Acting: A Symphony of Emotions
Jeff Bridges delivers a masterful performance, embodying Bad Blake with body and soul. Every gesture, every look, every word oozes authenticity and emotion. His chemistry with Maggie Gyllenhaal is palpable, creating a deep and moving connection between their characters. Bridges' performance is the pulsating soul of the film, elevating the narrative to a level of excellence rarely seen before
Screenplay: An Imperfect but Thrilling Journey
Although the script follows a familiar narrative structure, exploring themes such as redemption and romance in a predictable way, the strength of the performances and direction elevates the work above its clichés. Bad's story grips us from start to finish, and the genuine dialog and catchphrases make the characters memorable.
Weaknesses of the script:
Predictability: The story follows a familiar narrative structure, exploring themes such as redemption and romance in a predictable way. This may make the experience a little less surprising for some viewers.
Lack of depth in the relationship: The development of the relationship between Bad and Jean could have been more detailed and rich in nuance. The superficiality at times limits the audience's emotional connection with the couple.
Incomplete Evolution: Bad's trajectory, especially in relation to alcoholism, could have been explored in more depth, showing the obstacles and challenges he faces on his journey to redemption.
But it's not all flowers...
It's important to note that the weaknesses in the script don't compromise the overall experience of the film. The exceptional performances by Bridges and Gyllenhaal, Cooper's masterful direction and the moving soundtrack elevate the work to a higher level, partly overshadowing the script's flaws.
