titusvari
Joined Sep 2016
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titusvari's rating
What really stands out about "Say Nothing" is how it refuses to give you easy heroes and villains. It portrays the Troubles in Northern Ireland as a messy, tragic conflict where the lines were always blurred, and that's what makes it so powerful. The performances are incredible, especially from the young actresses playing the sisters who are the emotional heart of the story. The fact that it's based on real events makes everything feel much more intense.
It's not perfect, though. The pacing slows down noticeably in the middle, and I wish they had shown the full human cost of some major events, like the London bombing, as it would have made the impact hit even harder.
Most of all, it's a show that makes you think. You're watching a gripping drama, but you're constantly aware that these are real traumas that happened to real people, which is a heavy but important reminder. If you're looking for something thought-provoking that doesn't offer easy answers, I'd definitely recommend it.
It's not perfect, though. The pacing slows down noticeably in the middle, and I wish they had shown the full human cost of some major events, like the London bombing, as it would have made the impact hit even harder.
Most of all, it's a show that makes you think. You're watching a gripping drama, but you're constantly aware that these are real traumas that happened to real people, which is a heavy but important reminder. If you're looking for something thought-provoking that doesn't offer easy answers, I'd definitely recommend it.
The fact that this is a true story gives the series an extra punch. The pacing worked well overall, keeping me engaged, though I'll admit that halfway through I paused to look up the aftermath. Learning that essentially nobody was held accountable made me watch the rest with a lingering sense of frustration. Edison Alcaide humanizes Jean Charles with warmth, but what really stood out for me was Conleth Hill's take on Ian Blair - he nails the clumsy, out-of-his-depth official who somehow climbed to the top. The production also deserves credit for its visuals, which balance realism with cinematic polish. A painful, sobering drama that sticks with you.
A bittersweet romance that plays it safe but still leaves you with warmth at the end. The story is predictable, but the emotional payoff works-you finish the film smiling. Some parts feel overly romanticized or disconnected from reality, like the rushed marriage between Connie and Raef, the friends forcing their way into Viktor's apartment, or Heather's friend conveniently showing up back from the Camino just as she returned. Heather is portrayed with authenticity, while Jack is drawn as a bit too mysterious to fully connect with. The music enhances the atmosphere, and one standout line comes from Heather's father, who says he could choose to hate her mother for leaving or love her for giving him Heather-a moment that adds real emotional depth.